Re: [Avid-L2] Re: Why isn't Avid marketing all over this story?

Don't leave out the convenience of COLOR in this discussion

Ian Wilson
Colortape Productions
Ian@colortape.tv
0418 327 082
Via iPhone

On 06/10/2009, at 8:08 AM, Philip Hodgetts <philip@intelligentassistance.com
> wrote:

>
> On Oct 5, 2009, at 12:48 PM, Knut A. Helgeland wrote:
>
>> On 5. okt. 2009, at 20.49, Philip Hodgetts wrote:
>>
>>> Plus there is, in Avid's official RED worfklow step-by-step
>>> documentation (April 2009), the requirement that a show that wants
>>> to
>>> finish on DS in native REDcode but edit offline mxf in Media
>>> Composer,
>>> must start the project on MetaFuze.
>>>
>>> If that's not the case, then Avid should change the documentation or
>>> post a correction.
>>
>>
>> The documentation is wrong, DS can take RED files any way you want
>> to:
>> Directly; via EDL+ALE, AAF or AFE. Either way it will link up to the
>> original RED directory, and offer you a nice window on how you want
>> the files interpreted for your timeline.
>
> Even if you say started in REDrushes to get to MC for offline? Then
> take that to DS?
>>
>> I believe there is currently 0.1 persons working on this
>> documentation, so don't base any assumptions on it.
>
> Right, and what else would you have me base my assumptions on? :)
>
> Not that a single person in my class cared about DS at all. FWIW. I'm
> just trying to get my head around what's accurate and what's not.
>
> I'm glad I have this brains trust to draw from. Thanks
>
> Philip
>
> Philip Hodgetts
> President, Intelligent Assistance
> AssistedEditing.com Fast First Cuts, Metadata Worfklows
> Big Brains for Rent bigbrainsforrent.com
> HD Survival Handbook 2009-2010
> The New Now - Grow your business - ProAppsTips.com
>
> Personal Blog http://philiphodgetts.com
> Cell 818 335 3916
>
>
>
> ------------------------------------
>
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>
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>
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>
>
>

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