Re: [Avid-L2] Re: Why isn't Avid marketing all over this story?

Yea,You have to watch those power chords extensions in the bike chains
because the Bean conters refuse to pay for the petrol jobs. Sounds
like you are doing interesting work David.

Ian Wilson
Colortape Productions
Ian@colortape.tv
0418 327 082
Via iPhone

On 05/10/2009, at 4:34 PM, David Dodson <davidadodson@sbcglobal.net>
wrote:

> Well, you're right, Ian, it's our world now. On the 35mm feature
> I'm cutting now, we shot one scene in total with the 5D as well as
> most of the night VFX plates. The American show on NBC "Southland"
> shoots on RED but shoots all their "run and gun" material with the
> 5D -- until this week -- when they start using the 7D. Being a post
> production professional now means being a little like a circus act
> in which you're riding a unicycle across a tight rope while juggling
> chain saws.
>
> Fun.
>
> David Dodson
> davidadodson@sbcglobal.net
> 818-541-1225
> 818-523-0905 mobile
>
>
>
>
> ________________________________
> From: IAN WILSON <ian@colortape.tv>
> To: "Avid-L2@yahoogroups.com" <Avid-L2@yahoogroups.com>
> Sent: Monday, October 5, 2009 2:57:02 AM
> Subject: Re: [Avid-L2] Re: Why isn't Avid marketing all over this
> story?
>
>
> David, I still love film, I cut my teeth on it, but the fact is the
> Bean counters make the decision.
>
> The next wave we have to deal with is the Cannon 7D (don't tell the
> Bean counters), the picture are superb, we are about to start a Doco
> series on one of them. Hoping that the 5D firmware for 25P may be out,
> it's a better camera. Suspect it's a hardware issue that prevents it
> but. This camera allows you to blend with all the other tourists.
>
> Ian Wilson
> Colortape Productions
> Ian@colortape. tv
> 0418 327 082
> Via iPhone
>
> On 04/10/2009, at 9:29 PM, David Dodson <davidadodson@ sbcglobal. net>
> wrote:
>
>> Well, see? So there we are.
>>
>> But I'm probably in the .0000001% of people who actually kind of
>> hates the way RED looks. And this is not in comparison to 35mm or
>> the Genesis or CineAlta or Viper or anything else. This is in
>> comparison to itself.
>>
>> But anyway, that's just me. Film still rules. But that's just me.
>>
>> DD
>> David Dodson
>> davidadodson@ sbcglobal. net
>> 818-541-1225
>> 818-523-0905 mobile
>>
>>
>>
>>
>> ____________ _________ _________ __
>> From: Job ter Burg (L2B) <Job_L2@terburg. com>
>> To: Avid-L2@yahoogroups .com
>> Sent: Sunday, October 4, 2009 2:26:28 PM
>> Subject: Re: [Avid-L2] Re: Why isn't Avid marketing all over this
>> story?
>>
>>
>> "David Dodson" (04-10-2009 09:57) :
>>
>>> But this will require that I have ALL dailies in a theatrically
>>> acceptable 2K
>>> format.
>>
>> Actually, something like R3D with Red Rocket would make that
>> possible. R3D
>> files are pretty small, a single shooting day averages around 100GB.
>> So a
>> feature with 45 shooting days would well fit on 5TB of storage.
>>
>> Since you would be able to start with R3D, work with R3D, render in
>> R3D,
>> using something like a RedRocket card to do the Debayering to 2K, the
>> turnover to grading or a round trip through VFX would be dead easy
>> and fast.
>>
>> --
>> Job ter Burg
>> film editor - NL
>>
>>
>>
>>
>> [Non-text portions of this message have been removed]
>>
>>
>>
>> ------------ --------- --------- ------
>>
>> Search the offical complete Avid-L archives at:
>>
>> http://archives. bengrosser. com/avid/
>>
>> Avid L2, Where the Answers are.Yahoo! Groups Links
>>
>>
>>
>
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ------------------------------------
>
> Search the offical complete Avid-L archives at:
>
> http://archives.bengrosser.com/avid/
>
> Avid L2, Where the Answers are.Yahoo! Groups Links
>
>
>

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