I'd try duplicating "original file name" to "DiskLabel" or "CameraRoll"
columns on Master Clips and then export an EDL using that Column as ReelID
on List Tool.
EDL gives me more fexibility when relinking.
Hope this help.
[image: Inline image 1]
*Agustín Goya*
Editor (EDA)
WANCAMP | POST
tel. +54 11 4857 9083
cel. +54 9 11 15 6545 2427
Skype. agustingoya
agustin@wancamp.com.ar <andres@wancamp.com.ar>
wancamp.com.ar <http://www.wancamp.com.ar/>
On Sun, Oct 22, 2017 at 6:46 PM, Greg Huson Greg@SecretHQ.com [Avid-L2] <
Avid-L2@yahoogroups.com> wrote:
>
>
> That's where I'm struggling. Not getting back to Media Composer, but
> getting resolve to find the correct camera originals.
>
> I may of skipped something critical in creating the dailies - and it's
> probably more than a hundred hours at this point.
>
> Yet, there's no place to create a tape name, that I can see, when
> rendering dailies out of resolve. Are you saying I have to make sure the
> 'reel name' column in resolve is populated before rendering dailies?
>
> In media composer, can I copy the source clip name in the 'tape name'
> column? currently the 'tape name' is database info like msmMMOB, etc.
>
> What's happening is I'm either getting nothing in my AAF'd sequence after
> import (relink to source camera files, some of which are in the media
> pool), or I get anything with a timecode that matches if I disable 'assist
> using reel names.' Then, I have to rubber-monkey every single shot shot.
>
> This is a big project with DNG source spread out over multiple archive
> drives, offlined DNx36. Now I'm consolidating in Resolve (media managing)
> from each Media Archive until I have all the DNG collected onto my fast
> raid.
>
> Any tips appreciated.
>
> gh
> ----------------------------------------------------
> Greg Huson
> Chief
> Secret Headquarters, Inc
> Production / Post Production
> Culver City, CA
> 323 677 2092 <(323)%20677-2092>
> www.SecretHQ.com
> t @SecretHQinc
>
> > On Oct 22, 2017, at 1:59 PM, 'Jay_mahavier@earthlink.net'
> jay_mahavier@earthlink.net [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
> >
> > The thing I have found critical is what's in the Tape Name column in
> Resolve for then going to MC offline and then relinking back to the camera
> masters in Resolve.
> >
> >
> > Jay
> >
> >
> >> On Oct 22, 2017, at 3:52 PM, Bogdan Grigorescu
> bogdan_grigorescu@yahoo.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
> >>
> >>
> >>
> >> DaVinci Resolve to Avid Media Composer Roundtrip Tutorial
> >>
> >> DaVinci Resolve to Avid Media Composer Roundtrip Tutorial
> >> Find out which three pieces of metadata from each clip are important
> for a successful roundtrip from Blackmagic ...
> >>
> >>
> >>
> >> From: "Greg Huson Greg@SecretHQ.com [Avid-L2]" <Avid-L2@yahoogroups.com
> >
> >> To: "Avid-L2@yahoogroups.com" <Avid-L2@yahoogroups.com>
> >> Sent: Sunday, October 22, 2017 12:05 PM
> >> Subject: [Avid-L2] A little help from Resolve > Avid > Resolve Experts
> >>
> >> Hey, Brain-dead on a Sunday afternoon, and I could use a little direct
> consultation with someone who's expert with Resolve (dailies) to Avid
> (offline) or Resolve (online) workflow. It's been a tick since I've done
> this and I'm missing some critical step that's bunging up my conform, and
> need help seeing the trees through the forest. (Phone / Email / iChat)
> >>
> >> Not finding the exact info I need with google.
> >>
> >> gh
> >> ----------------------------------------------------
> >> Greg Huson
> >> Chief
> >> Secret Headquarters, Inc
> >> Production / Post Production
> >> Culver City, CA
> >> 323 677 2092 <(323)%20677-2092>
> >> www.SecretHQ.com
> >> t @SecretHQinc
> >>
> >>
> >>
> >>
> >>
> >
> >
> >
>
>
>
[Non-text portions of this message have been removed]
Posted by: Agustin Goya <agustingoya@gmail.com>
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