Makes sense. I like the AAF because I get frame sizes, but not very useful if it doesn't relink. Ahrg.
gh
----------------------------------------------------
Greg Huson
Chief
Secret Headquarters, Inc
Production / Post Production
Culver City, CA
323 677 2092
www.SecretHQ.com
t @SecretHQinc
> On Oct 22, 2017, at 4:21 PM, Agustin Goya agustingoya@gmail.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
>
> I'd try duplicating "original file name" to "DiskLabel" or "CameraRoll"
> columns on Master Clips and then export an EDL using that Column as ReelID
> on List Tool.
> EDL gives me more fexibility when relinking.
>
> Hope this help.
>
> [image: Inline image 1]
>
> *Agustín Goya*
> Editor (EDA)
>
> WANCAMP | POST
> tel. +54 11 4857 9083
>
> cel. +54 9 11 15 6545 2427
> Skype. agustingoya
> agustin@wancamp.com.ar <andres@wancamp.com.ar>
> wancamp.com.ar <http://www.wancamp.com.ar/>
>
> On Sun, Oct 22, 2017 at 6:46 PM, Greg Huson Greg@SecretHQ.com [Avid-L2] <
> Avid-L2@yahoogroups.com> wrote:
>
> >
> >
> > That's where I'm struggling. Not getting back to Media Composer, but
> > getting resolve to find the correct camera originals.
> >
> > I may of skipped something critical in creating the dailies - and it's
> > probably more than a hundred hours at this point.
> >
> > Yet, there's no place to create a tape name, that I can see, when
> > rendering dailies out of resolve. Are you saying I have to make sure the
> > 'reel name' column in resolve is populated before rendering dailies?
> >
> > In media composer, can I copy the source clip name in the 'tape name'
> > column? currently the 'tape name' is database info like msmMMOB, etc.
> >
> > What's happening is I'm either getting nothing in my AAF'd sequence after
> > import (relink to source camera files, some of which are in the media
> > pool), or I get anything with a timecode that matches if I disable 'assist
> > using reel names.' Then, I have to rubber-monkey every single shot shot.
> >
> > This is a big project with DNG source spread out over multiple archive
> > drives, offlined DNx36. Now I'm consolidating in Resolve (media managing)
> > from each Media Archive until I have all the DNG collected onto my fast
> > raid.
> >
> > Any tips appreciated.
> >
> > gh
> > ----------------------------------------------------
> > Greg Huson
> > Chief
> > Secret Headquarters, Inc
> > Production / Post Production
> > Culver City, CA
> > 323 677 2092 <(323)%20677-2092>
> > www.SecretHQ.com
> > t @SecretHQinc
> >
> > > On Oct 22, 2017, at 1:59 PM, 'Jay_mahavier@earthlink.net'
> > jay_mahavier@earthlink.net [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
> > >
> > > The thing I have found critical is what's in the Tape Name column in
> > Resolve for then going to MC offline and then relinking back to the camera
> > masters in Resolve.
> > >
> > >
> > > Jay
> > >
> > >
> > >> On Oct 22, 2017, at 3:52 PM, Bogdan Grigorescu
> > bogdan_grigorescu@yahoo.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
> > >>
> > >>
> > >>
> > >> DaVinci Resolve to Avid Media Composer Roundtrip Tutorial
> > >>
> > >> DaVinci Resolve to Avid Media Composer Roundtrip Tutorial
> > >> Find out which three pieces of metadata from each clip are important
> > for a successful roundtrip from Blackmagic ...
> > >>
> > >>
> > >>
> > >> From: "Greg Huson Greg@SecretHQ.com [Avid-L2]" <Avid-L2@yahoogroups.com
> > >
> > >> To: "Avid-L2@yahoogroups.com" <Avid-L2@yahoogroups.com>
> > >> Sent: Sunday, October 22, 2017 12:05 PM
> > >> Subject: [Avid-L2] A little help from Resolve > Avid > Resolve Experts
> > >>
> > >> Hey, Brain-dead on a Sunday afternoon, and I could use a little direct
> > consultation with someone who's expert with Resolve (dailies) to Avid
> > (offline) or Resolve (online) workflow. It's been a tick since I've done
> > this and I'm missing some critical step that's bunging up my conform, and
> > need help seeing the trees through the forest. (Phone / Email / iChat)
> > >>
> > >> Not finding the exact info I need with google.
> > >>
> > >> gh
> > >> ----------------------------------------------------
> > >> Greg Huson
> > >> Chief
> > >> Secret Headquarters, Inc
> > >> Production / Post Production
> > >> Culver City, CA
> > >> 323 677 2092 <(323)%20677-2092>
> > >> www.SecretHQ.com
> > >> t @SecretHQinc
> > >>
> > >>
> > >>
> > >>
> > >>
> > >
> > >
> > >
> >
> >
> >
>
> [Non-text portions of this message have been removed]
>
>
>
Posted by: Greg Huson <greg@secrethq.com>
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