Saturday, January 11, 2014

[Avid-L2] OTish: Audio/Video Sync with OTA Channels?

 

So I've had my new Panny Plasma 60 inch and Onkyo Receiver up and running for a few months now.  I have direct tv genie system and a roof top antenna.  I have run both an optical and the HDMI ARC audio return channel to the receiver.  My research has indicated the ARC over HDMI to be technically better than the optical TOS link so I have enabled the ARC for OTA audio from the TV receiver to get back to the receiver.  I see a big inconsistent discrepancy in lip sync between the Over The Air stations in LA.  The local CBS affiliate KCBS looks to be in proper sync virtually every time I've looked but the ABC seems a few frames out and other stations are sometimes in and sometimes out.

Having never had such a large screen before I don't have a feel for how long and how typical these out of sync issues have been in the past.  I had an SD CRT before this with SD direct TV and roof top antenna and I don't recall noticing so many out of sync channels.  I learned at a recent Tektronix seminar that encoders will drift/hop our of sync in steps and the only way to reset the sync is to reboot the encoder.  I'm not exactly sure where these encoders fall in the signal distribution chain but they had examples of the varying devices that are inline to transmitter feeds depending on the signal source.  Local news cast from the studio vs. network feeds from their sources can run through differing paths at different times of the day etc.... 

At any rate I feel that if I see KCBS consistently in sync and the ABC affiliate out of sync at the same time when viewing OTA that there must be differences that are happening at the broadcasting sources.  If it was my equipment set up, which offers audio delay but I have it set to zero delay, then all stations would be off in the same manner.  As it is some are in sync and some out.  Sometime I've compared the OTA sync to the same channel on my direct tv receiver and the OTA may be out where as direct tv is in sync and vice versa.  I realize the direct tv must have the ability to adjust A/V sync before uplinking so that could account for their signal being correct when OTA is off but are they using an automated process like I've seen at NAB to make the correction?  And bottom line are major network affiliates really this sloppy with A/V sync.  I know it's happened in the past when equipment at the transmitter shack resets itself from a power spike and things go out of sync.  I fight monitor delay in edit bays all the time and protools bays especially when it seems the video cards used have varying delays when playing back different codecs in the protools bay.  That's a constant struggle even with my sync check box.  Are others seeing these lip sync issues like I am or is there something wrong in my thinking here?  If one OTA is always right and many of the others are off in varying degress that has to be the broadcaster side of things.  I can't think of reason why my home system would exhibit varying delays between different OTA stations.  I do usually change the channel and come back to a problem channel to see if that resets something in the decoder to help with sync.  Sometimes it seems to help but most times it's hard to tell.
 
John Moore
Barking Trout Productions
Studio City, CA
bigfish@pacbell.net

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Re: [Avid-L2] customer group gathers steam

 

Did you hear about the redneck editor?

He kept his Avid in the front yard on Terrablocks.

Sorry... channeling John Moore for a minute there....   (love you John!)

Steve

On Jan 11, 2014, at 12:07 AM, tcurren@aol.com wrote:

 

Yep, that looks like a group of users of the gear who can give solid feedback on how to improve it… Oh wait, no, those would be the guys who want a better server.

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Re: [Avid-L2] RE: customer group gathers steam

 
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Re: [Avid-L2] Re: KiPro to Avid workflow

 

We have a KiPro and a stack of cartridges. If you have SATA ports, you can connect to a KiPro drive via SATA. Half of the backplane connector on the cartridge is a SATA connector. You have to externally power the drive (check with your reseller on the proper power supply). I keep a SATA cable hanging out of the back of my Z800 just for this purpose. Mounts as an Apple drive. I use MacDrive.  All KiPro recordings are kept in a folder named "AJA". Copy the folder or individual files. Mounts in AMA with ease.

Curtis Nichols
PCS Production Co.
Irving, TX.

(sent via the moons of Saturn)

> > On Jan 10, 2014, at 9:58 AM, RRF Avid <rrfavid@...> wrote:
> >
> > Assuming they give you the KiPro hard drive cartridges, the files just copy over like any other files from the KiPro cartridge to wherever you want via FW 800.  No third party software necessary.  Easy!
> > - Rich
> >
> >> On Jan 10, 2014, at 4:45 AM, Gregg Foster <fieldproductions@...> wrote:
> >>
> >> Oh great and wise Avid-L2ers.  What is the best workflow to copy the ProRes capture files from a standard KiPro to the clients hard drive for transporting to their Avid.  Do they just copy over or is there Aja or third party software to use? I will have eight cameras ISOed on eight KiPros. (Standard KiPros, not minis or rack or quads).  TIA
> >>
> >> Gregg Foster

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Re: [Avid-L2] RE: customer group gathers steam

 

You'll need a better server for 4k I hear...

On 11 Jan, 2014, at 5:10 pm, Rupert Watson <rupert@root6.com> wrote:

 

Terry 

You want a better server, too, you just won't admit it ;-)

Rupert Watson
+44 7787 554801

On 11 Jan 2014, at 06:07, "tcurren@aol.com" <tcurren@aol.com> wrote:

 

Yep, that looks like a group of users of the gear who can give solid feedback on how to improve it… Oh wait, no, those would be the guys who want a better server.

HTML Online Editor Sample

 

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Our resource for the latest news, support tips and articles

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Re: [Avid-L2] RE: customer group gathers steam

 

Terry 

You want a better server, too, you just won't admit it ;-)

Rupert Watson
+44 7787 554801

On 11 Jan 2014, at 06:07, "tcurren@aol.com" <tcurren@aol.com> wrote:

 

Yep, that looks like a group of users of the gear who can give solid feedback on how to improve it… Oh wait, no, those would be the guys who want a better server.

HTML Online Editor Sample

 

www.root6.com/blog

Our resource for the latest news, support tips and articles

Registered in the UK at: 4 Wardour Mews, London W1F 8AJ

Tel: +44 (0) 20 7437 6052

Company No. 03433253

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Friday, January 10, 2014

Re: [Avid-L2] RE: customer group gathers steam

 

Guess the new PR company has a better mailing list.

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[Avid-L2] RE: customer group gathers steam

 

Yep, that looks like a group of users of the gear who can give solid feedback on how to improve it… Oh wait, no, those would be the guys who want a better server.

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Re: [Avid-L2] KiPro to Avid workflow

 


If they are masters, I would recommend using some file verification/sumcheck application and quickly scan through all the files before handing back the drives to production.

On 10 jan. 2014, at 23:42, johnrobmoore <bigfish@pacbell.net> wrote:

>>> the files just copy over like any other files

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Re: [Avid-L2] RE: customer group gathers steam

 

Pretty overwhelming.

On 11 Jan, 2014, at 2:13 am, <jonathansabrams@yahoo.com> wrote:

 

That press release is making the rounds.


http://sportsvideo.org/main/blog/2014/01/avid-customer-association-builds-momentum/

"Over the past few months, the initial response and momentum to the launch of the Avid Customer Association has been overwhelming," said Louis Hernandez, Jr., president and CEO of Avid. - See more at: http://sportsvideo.org/main/blog/2014/01/avid-customer-association-builds-momentum/#sthash.f9NuLszu.dpuf


"Over the past few months, the initial response and momentum to the launch of the Avid Customer Association has been overwhelming," said Louis Hernandez, Jr., president and CEO of Avid. - See more at: http://sportsvideo.org/main/blog/2014/01/avid-customer-association-builds-momentum/#sthash.f9NuLszu.dpuf
"Over the past few months, the initial response and momentum to the launch of the Avid Customer Association has been overwhelming," said Louis Hernandez, Jr., president and CEO of Avid. - See more at: http://sportsvideo.org/main/blog/2014/01/avid-customer-association-builds-momentum/#sthash.f9NuLszu.dpuf
"Over the past few months, the initial response and momentum to the launch of the Avid Customer Association has been overwhelming," said Louis Hernandez, Jr., president and CEO of Avid. - See more at: http://sportsvideo.org/main/blog/2014/01/avid-customer-association-builds-momentum/#sthash.f9NuLszu.dpuf

---In Avid-L2@yahoogroups.com, <mikeparsons.tv@...> wrote:

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[Avid-L2] Re: KiPro to Avid workflow

 

But if you had the truck crew copy the file couldn't you consider yourself a "Job Creator" and isn't that the goal for all us USA types? ;-) Unless the truck crew would outsource the file copying then that would be bad. ;-(

--- In Avid-L2@yahoogroups.com, Gregg Foster <fieldproductions@...> wrote:
>
> Thanks Rich, The truck vendor will let me take the KiPro drives with me. I'm glad it's just a simple copy thru my PowerBook to the client's drive. I didn't want to pay the four hours of OT for the truck just to copy files.
>
> Gregg Foster
> Editor
> ABC News
> Good Morning America
> 732-735-4343
>
>
> Sent from my iPhone
>
> > On Jan 10, 2014, at 9:58 AM, RRF Avid <rrfavid@...> wrote:
> >
> > Assuming they give you the KiPro hard drive cartridges, the files just copy over like any other files from the KiPro cartridge to wherever you want via FW 800. No third party software necessary. Easy!
> >
> >
> > - Rich
> >
> >> On Jan 10, 2014, at 4:45 AM, Gregg Foster <fieldproductions@...> wrote:
> >>
> >>
> >>
> >> Oh great and wise Avid-L2ers. What is the best workflow to copy the ProRes capture files from a standard KiPro to the clients hard drive for transporting to their Avid. Do they just copy over or is there Aja or third party software to use? I will have eight cameras ISOed on eight KiPros. (Standard KiPros, not minis or rack or quads). TIA
> >>
> >> Gregg Foster
> >> Editor
> >> ABC News
> >> Good Morning America
> >> 732-735-4343
> >>
> >>
> >> Sent from my iPhone
> >
> >
>

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Re: [Avid-L2] KiPro to Avid workflow

 

Thanks Rich,  The truck vendor will let me take the KiPro drives with me. I'm glad it's just a simple copy thru my PowerBook to the client's drive.  I didn't want to pay the four hours of OT for the truck just to copy files. 

Gregg Foster
Editor
ABC News
Good Morning America
732-735-4343


Sent from my iPhone

On Jan 10, 2014, at 9:58 AM, RRF Avid <rrfavid@hotsprocketfilms.com> wrote:

 

Assuming they give you the KiPro hard drive cartridges, the files just copy over like any other files from the KiPro cartridge to wherever you want via FW 800.  No third party software necessary.  Easy!


- Rich

On Jan 10, 2014, at 4:45 AM, Gregg Foster <fieldproductions@comcast.net> wrote:

 

Oh great and wise Avid-L2ers.  What is the best workflow to copy the ProRes capture files from a standard KiPro to the clients hard drive for transporting to their Avid.  Do they just copy over or is there Aja or third party software to use? I will have eight cameras ISOed on eight KiPros. (Standard KiPros, not minis or rack or quads).  TIA

Gregg Foster
Editor
ABC News
Good Morning America
732-735-4343


Sent from my iPhone


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Re: [Avid-L2] MC7 - Disappearing Bin Contents

 

If you have a bin that's 186K, that sounds like something is definitely in there. Send the bin to someone else. Maybe see if Avid can pull something from the bin that's 186K. Maybe ask Marianna.


Even 10K is not an empty bin. That could very well have a single clip with color correction and a simple sequence. Don't give up hope. I don't think it's gone entirely with bin sizes like that.

Also, I would do a search on the existing bin names that ARE in the Attic to see if they also aren't mysteriously someplace else. Who knows?

Steve

On Jan 10, 2014, at 1:37 PM, Mark Myers <MarkM@SR-Pro.com> wrote:

 

This was, of course, a low/no budget job for a friend.  All the clips, and probably 15 short sequences with no cuts, only color correction (a live concert chopped up by song) were in one bin.

The bins are 12k, which is pretty small, but possible I guess. 

I think I hosed the Attic by opening the project several times trying to figure out what was going on. I should have copied the attic version off as soon as I realized something was fishy.  There's only one copy in the attic though, so that's very strange.



The second project was the same thing.  Took a field reel from a Panisonic camera into the Avid for a friend, overlayed a TC track and exported windowburns so he could share them without them being swiped.  Maybe 30 clips, 4 sequences.  All gone.  Bin is 10k.

When I check the attic for this second project, I see 6 bin copies - which get progressively larger - 4 k growing over the uses to 186k

No good deed goes unpunished......





Owner, Director
SR Film & Video Productions
195 W Broad St
Salunga PA 17538
717-393-5333 ex 142
www.SR-Pro.com

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On 1/10/14 11:04 AM, Steve Hullfish wrote:
 

The strange thing is that once bins are in the Attic, the Avid doesn't touch them. I wonder if you sent one of the back up bins to someone else, whether another system could read them? And I think someone else asked this, but what are the SIZE of all of the bins in the Attic? The same? Small? Especially check the bin with the sequence in it, if you organize your bins that way.


Finally, in the Attic, if you have TWO instances of Avid - like a Media Composer install and an old Symphony install, it's possible to have MULTIPLE Attics, in which case, you could be looking in the wrong Attic. I don't think that's the case, since you said you found the bins in the Attic, but that depends on how you name your bins.

Steve

On Jan 10, 2014, at 8:43 AM, Mark Myers <MarkM@SR-Pro.com> wrote:

 

Mac,
Stand alone system.
Not backed up - but the bins in the attic exhibit the same behavior.


On 1/9/2014 10:49 PM, John Pale wrote:
 

Mac or PC?

Unity/Isis or standalone ?

If Mac, are your projects backed up by Time Machine?

On Thursday, January 9, 2014, Andy Liebman wrote:
 
For what it's worth, about 12 years ago -- a year before founding EditShare -- I was experimenting with having two XPress Pro Windows workstations working off the same network volume.  Both were writing to that volume  -- one was capturing, the other was rendering, and both happened to finish their writing activities at the exact same moment. All of a sudden, both Avid applications went "poof" in tandem.  They just vanished from their respective screens.  When I went to open up the Project I was working on, the bins themselves were all there but every one of them was empty, and so were all of the bin copies in the Attic.  On both workstations. It was as if, hidden deep within the application, there was some self-destruct code that I had tickled. 

Fortunately I had backups from a couple of weeks earlier but I lost two full weeks of work, a couple of days before a rough cut was due for Frontline. It was not fun.   

I reported this "bug" to Avid but nothing ever came of my report. 

I hope this didn't happen to you. 

Andy Liebman
CEO EditShare



--
Owner/Director
S.R. Film & Video
195 W Broad St
Salunga PA  17538


Cinematography, Still Photography, Copy Writing,
Post Production, Web Hosting & Design

Office: 717-393-5504  ex 142
Cell: 717-203-0976
Fax: 717-393-1833

www.SR-Pro.com





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