That wasn't really my question. But, to clarify, you are saying that all of the systems should be what? MCs? Same versions? Same brand of NLEs?
All I asked about was that there are several codecs that you CAN import/transcode/capture to. I was told that you shouldn't mix the codecs that the Avid is capable of transcoding to on the same workspace. This is an ISIS with ALL MC6.5s.
Steve Hullfish
contributor: www.provideocoalition.com
author: "The Art and Technique of Digital Color Correction"
On Feb 8, 2013, at 6:22 PM, Dom Q. Silverio domqsilverio@gmail.com> wrote:
> You don't want to mix NLE platform. There is a significant bandwidth penalty for each chassis involved.
>
> DQS
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