I don't understand what you mean here by NLE platform? Does this mean mixing Mac and PCs on an Isis system is bad? I'm sure I'm just not understanding what the comment really means. By each chassis are you talking about each edit workstation or are the chassis involved in the Isis "blades" if that is the correct term to use? I'm very interested and obviously very clueless. Where I'm at now they mix offline and online workspaces on the Isis and I'm sure there are mixed resolutions on single workspaces but I haven't heard anyone mention that as a problem.
--- In Avid-L2@yahoogroups.com, "Dom Q. Silverio" wrote:
>
> You don't want to mix NLE platform. There is a significant bandwidth penalty for each chassis involved.
>
> DQS
>
>
> On Feb 8, 2013, at 5:42 PM, Steve Hullfish wrote:
>
> > OK, I've got another ISIS question.
> >
> > I heard that you shouldn't mix resolutions on a workspace of Isis... That seems bizarre. I'd think if you've got a DNxHD100 workspace open and an AVCHD workspace open, the drives/blades are doing the same work... they're just virtual volumes, right? That media, on separate workspaces, could be side by side on the platters, I'd think.
> >
> > Solid knowledge and real world experience appreciated. Guessers (like me) need not apply.
> >
> > Steve Hullfish
> > contributor: www.provideocoalition.com
> > author: "The Art and Technique of Digital Color Correction"
> >
> > ------------------------------------
> >
> > Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
> > Yahoo! Groups Links
> >
> >
> >
>
Reply via web post | Reply to sender | Reply to group | Start a New Topic | Messages in this topic (4) |
No comments:
Post a Comment