The deliverables for the feature film will be DCPs and 35mm film. The deliverables for the TV show I'm not certain about. Some HDCAM tape format I would imagine. I think. Off some digital master.
DD
On Jul 6, 2012, at 11:56 AM, Gus wrote:
> What is the priority delverable, the film or the series? If film, do
> 23.98. If the PAL series, then 25.
>
> It is sometimes easier to add frames per second than to remove them.
>
> -G
>
> On Fri, Jul 6, 2012 at 11:33 AM, David Dodson <davidadodson@sbcglobal.net>wrote:
>
> >
> > At this point, the only part of the post that will happen here in Los
> > Angeles is the sound work for the theatrical movie. The TV series (a
> > continuation of the movie story) will air in PALville at 25fps, but the
> > complete post, sound and picture, for the TV show will happen in Moscow.
> >
> > So I have a couple of votes for shoot it all in 24fps, and a couple of
> > votes for shoot it all in 25fps. I need a tie breaker!
> >
> > DD
> >
> >
> > On Jul 6, 2012, at 11:15 AM, pierrehaberer wrote:
> >
> > > Well if the TV episodes are going to be PAL based, I'd go for a shoot at
> > 25fps which means the running time for the TV will always be the same and
> > you just do one version for the theatrical release - for which the duration
> > doesn't matter much. Also, it will run slightly slower on the big screen,
> > which is fine as the screen is... bigger indeed.
> > > And converting the TV episodes from PAL 25fps to NTSC 30 (or whatever
> > version of NTSC) won't affect the duration either.
> > >
> > > Now of course, if post happens in the US, it might get slightly
> > complicated to do it at 25fps.
> > >
> > > Pierre
> > >
> > > --- In Avid-L2@yahoogroups.com, "Nigel Gourley" <avid-l@...> wrote:
> > > >
> > > > 24FPS gets my vote. But bear in mind the most likely way of converting
> > the
> > > > 24FPS final progs to 25 will be to speed up and this has an effect on
> > > > duration.
> > > >
> > > >
> > > > From: Avid-L2@yahoogroups.com [mailto:Avid-L2@yahoogroups.com] On
> > Behalf Of
> > > > oliverpetersvidy
> > > > Sent: 06 July 2012 14:50
> > > > To: Avid-L2@yahoogroups.com
> > > > Subject: [Avid-L2] Re: Alexa ProRes, Avid, and Frame Rates
> > > >
> > > >
> > > > > Job ter Burg wrote:
> > > > > Don't do 23.976 in the PAL world. Do 24.000.
> > > >
> > > > My reason for suggesting 23.976 was because I didn't know where post
> > would
> > > > take place. If the post is going to be done in the US in a standard
> > post
> > > > house environment, then 23.976 is going to be more compatible. If it's
> > to be
> > > > done in a PAL-centric post house or a pure film finishing environment,
> > then
> > > > yes, true 24 may be the better way to go. Regardless, make very sure
> > that
> > > > everyone knows what the frame rate is SUPPOSED to be and stays
> > consistent
> > > > with that spec!
> > > >
> > > > - Oliver
> > > >
> > >
> > >
> >
> > David Dodson
> > davidadodson@sbcglobal.net
> >
> >
> >
> >
> >
> > [Non-text portions of this message have been removed]
> >
> >
> >
> > ------------------------------------
> >
> > Search the official Complete Avid-L archives at:
> > http://archives.bengrosser.com/avid/
> > Yahoo! Groups Links
> >
> >
> >
> >
>
> [Non-text portions of this message have been removed]
>
>
David Dodson
davidadodson@sbcglobal.net
David Dodson
davidadodson@sbcglobal.net
[Non-text portions of this message have been removed]
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