This is all a piece of crap.
(If Bob is no longer around here, someone has to do it.)
If the specs say 23.976 (And that is NOT 23.97, nor is it 23.98, it's 24 / 1000 * 1001), you have to deliver that.
So, it can be speeded up for European broadcast, can get pulldown added for the 60 hz world.
No way around that.
Having said this, how come that the vast majority of people who shoot 23.976 are clueless, and NEVER have to deliver outside their territory / internet?
So WHY ON EARTH would they choose 23.976? (And have their sound recorders @24, like that is the same.)
And why do pro shooters shoot 29.97 (i or p) when they should know that the content is for international delivery?
Is Corona causing mass brain loss?
On 27 Jul 2020, at 20:21, JBeck <jb30343@windstream.net> wrote:Will they accept 59.94i? If so, just change your project and deliver.
The result will be be equivalent to 29.97psf. --J.B.
Lou Wirth wrote:Im being told by QC that our doc must be 23.97 and can not be 29.97 as
HD can not be 29.97. Huh? Most of my HD projects are 29.97.
Am I missing something here. My avid project is 1080p/ 29.97
Thanks
Lou
Lou Wirth Productions
3210 Kerner Boulevard
Suite 302
San Rafael, CA 94901
*www.louwirth.com <http://www.louwirth.com>*
415-706-8992p
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