Thanks for the info but I thought from some classes I've had that the auto was slaved to a sort of master setting choice in the project. I can see where I might want my video monitor to be legal but everything else to be full so I'm still wondering where to find the Uber setting if you will.
I'm not stalled just trying to learn more about the various gain structures and how LUTs are unterpreted in Resolve compared to Avid.
---In Avid-L2@yahoogroups.com, <jay_mahavier@...> wrote :
Is it dependent on the format and codec you are exporting to? DNx vs TIFF or DPX or Pjpeg etc.? I almost exclusively export to DNx, ProRes, DPX, or EXR so assume that 'Auto' is 'Legal'. If I want Full Range I select it.
Jay
On May 8, 2019, at 1:24 PM, John Moore bigfish@... [Editing-List] <Editing-List@yahoogroups.com> wrote:I am testing more with Avid support my LUT level issues between MC 2018.12.1 and 12.2&12.3 and comparing it all to LUT interpretation from MC 8_6_4.In the process I'm testing how Resolve interprets the same Panasonic Vlog LUT to Rec 709 from Panasonic. I know I can switch between legal and full range (data) in the Resolve settings. When I do this I see a difference on my external scope just like I would expect to see. I though once I choose Full in the video monitor that would carry through to the Resolve Delivery page if it was set to Auto for level. This does not appear to be the case. I can however select full level in the delivery page and it exports at Full Range.So if setting the video monitor to Data, which to me means Full Range, doesn't tell the auto level setting in the delivery page to export Full Range what master level setting does. The fact that there is a choice of "auto" for levels in the delivery page there must be a setting menu somewhere that it follows. Can anybody point me to the setting that appears not to be the video monitoring level that will dictate what the auto level is for delivery?John Moore Barking Trout Productions Studio City, CA bigfish@...
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