Thursday, February 21, 2019

Re: [Avid-L2] Consolidate and Transcode AMA

 


I hadn't thought about consolidating skipping non native Avid codecs.  So would it make sense to consolidate to take care of all native codecs and create a new sequence and then do a transcode checking the box to only transcode linked media?

I deal more with uprezzing media so I don't run into this type of situation often.  If I have a sequence that has avid native media, ama linked avid native media and also ama linked non avid native media it sounds like a consolidate will only consolidate the native and ama linked native media.  Am I understanding this correctly?  Does this then leave a new sequence linked to the newly consolidated media and still ama linked to the non native ama linked media?

If what I am assuming then I would think the checkbox to transcode only linked media would in essence do just that non native ama linked media.  I get why you say to check the skip files already on target drive but I'm wondering if the transcode only linked media would do the same thing.  In theory I think it should but I haven't tried that.

---In Avid-L2@yahoogroups.com, <Greg@...> wrote :

It can get a little funky.

IMHO, consolidate first to a new drive, creating a new timeline. You'll have stuff that doesn't get consolidated because it's not 'avid native.' Then, transcode the the newly created sequence, ignoring files already on target drive, also making a new sequence as part of the transcode. Then, put that new new sequence in a separate bin, and reveal source media, and make sure everything is on the target drive, and nothing is left behind. Sometimes you may have to copy an entire file (or graphic, or whatever) just to get it to the new drive.

Finally, take the original source material entirely offline (or move the target drive to a different system) and make sure when you open the new new sequence, everything is online.

All that said, it assumes your client understands and can work with Avid and .mxf media. Sometimes they want all the source media in it's original form, not just the consolidation of the final film. In fact, it's more common for the deliverable to be, well, both - a copy of the final sequence, with handles, PLUS dupes of all the source media in it's original format.

Fun!

gh
----------------------------------------------------
Greg Huson
Chief
Secret Headquarters, Inc
Production / Post Production
Culver City, CA
323 677 2092
www.SecretHQ.com
t @SecretHQinc

> On Feb 20, 2019, at 10:40 AM, Lou Wirth loutv@... [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
>
> HI
>
> My final 2 hour doc is full of AMA linked clips. But much of the media is from imported files so its a mix. I need to consolidate everything to a drive to give back to producer as final with the output.
>
> Should I consolidate sequence first, then transcode AMA media to the drive? Or transcode media first, then consolidate to the drive? Is there a better workflow?
>
> Thanks
> Lou
> Lou Wirth Productions
> 500Tamal Plaza, Suite 522
> Corte Madera, CA 94925
> www.louwirth.com
> 415-924-9411p
>
>
>

__._,_.___

Posted by: bigfish@pacbell.net
Reply via web post Reply to sender Reply to group Start a New Topic Messages in this topic (3)

Have you tried the highest rated email app?
With 4.5 stars in iTunes, the Yahoo Mail app is the highest rated email app on the market. What are you waiting for? Now you can access all your inboxes (Gmail, Outlook, AOL and more) in one place. Never delete an email again with 1000GB of free cloud storage.

this is the Avid-L2

SPONSORED LINKS
.

__,_._,___

No comments:

Post a Comment