On Jan 16, 2018, at 2:12 AM, John Coldiron jciron2005@yahoo.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
It's audio that tracks differently. And it will eventually drift…
True in Media Composer, apparently, because its math is programmed that way. But this is true because Avid has specifically made it so. That does not mean that this is the best assumption. Not all software assumes this. In fact, I believe most software does not. Most software these days assumes 30fps means 29.97, or more precisely, whatever the sync rate of the hardware is.
Video hardware runs at either 59.94 or 60hz or a multiple thereof. Only the most sophisticated hardware can actually distinguish between the two. Whether the file is designated 29.97 or 30fps makes no difference when you play out, even just to your computer screen.
Which leads me to this question: Who uses true 30fps synchronous files and why should Avid make this mathematical distinction? Just because it can?
Or maybe I should ask, who uses true 30fps projects and why?
Cheers,
tod
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Posted by: tod <hoplist@hillmanncarr.com>
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this is the Avid-L2
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