Afaik, there is only metadata altered by the RGB / 709 flag.
Most encoders can be setup to assume 709 no matter the flag (Or will ignore it anyways.)
Try an export of both, and AMA link to the exports, see what Avid shows you.
(I'm on Win, no ProRes export here from Avid.)
On Sep 30, 2016, at 18:36, Mark Spano cutandcover@gmail.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:Mixdown sequence to ProRes 422Export Same As Source - full levelsalways right on.On Fri, Sep 30, 2016 at 12:33 PM, Lou Wirth loutv@mindspring.com [Avid-L2] <Avid-L2@yahoogroups.com>wrote:Anyone have the right formula for QT ProRes 422 exports out of avid. Lately clients have been asking for masters as ProRes and I jump between Avid settings being Legal or expanded color full range. Legal seems a bit washed out and full range seems a bit dark. In QT settings I go between gamma correction automated and none. Its a lengthy process exporting each setting and never seems to be the right match. Never for broadcast. Usually going to server or once in a while to DVD.
What is the right combo of settings to go to Pro Res?
thanks
Lou
Lou Wirth Productions
500Tamal Plaza, Suite 522
Corte Madera, CA 94925
www.louwirth.com
415-924-9411p
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Posted by: Bouke <bouke@editb.nl>
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this is the Avid-L2
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