What if any I/O hardware is on the system. It sounds like you don't have any I/O hardware but if you do try toggling the hardware off and back on with the button over the timeline. It seems to eliminate some strange behavior although your situation doesn't sound like that's the issue it's worth a try it there is I/O hardware on the system. Definitely check the timeline quality box already mentioned in this thread you want to be green or green with a 10 for 10 bit. I always have a program monitor and don't rely on the computer screen for color correction but perhaps the quality setting is causing this.
---In avid-l2@yahoogroups.com, <kahelia@...> wrote :
I don't edit that much these days, so I'm a little rusty. I don't know if this is a known issue or not.
I've taken on a project that involves editing 40 short segments with 1 minute discussions in a panel. We filmed with a Sony FS7; 1080@25p with a Sony SLog3 profile. I've linked the footage into MC 8.5.0 directly, applied the appropriate colour adapter, and everything apparently plays nice.
But as I try to give this a little grade, it brakes apart as if it's badly compressed 8-bit footage already pushed to the limit with the LUT in the colour adapter.
To check source integrity, I drop a source file into Premiere. It looks perfect 10-bit, can be pushed in every direction, no visible noise or artefacts. But in MC it just looks horrible.
What basic step did I miss here? Something obviously goes wrong on the way into Avid, but I don't know where to start looking for it.
This is on an iMac Retina 5k running OS X 10.11.4. Bin info says I'm using the MSP_MXF plug-in and the footage is XAVC Intra 100.
K
I've taken on a project that involves editing 40 short segments with 1 minute discussions in a panel. We filmed with a Sony FS7; 1080@25p with a Sony SLog3 profile. I've linked the footage into MC 8.5.0 directly, applied the appropriate colour adapter, and everything apparently plays nice.
But as I try to give this a little grade, it brakes apart as if it's badly compressed 8-bit footage already pushed to the limit with the LUT in the colour adapter.
To check source integrity, I drop a source file into Premiere. It looks perfect 10-bit, can be pushed in every direction, no visible noise or artefacts. But in MC it just looks horrible.
What basic step did I miss here? Something obviously goes wrong on the way into Avid, but I don't know where to start looking for it.
This is on an iMac Retina 5k running OS X 10.11.4. Bin info says I'm using the MSP_MXF plug-in and the footage is XAVC Intra 100.
K
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Posted by: bigfish@pacbell.net
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this is the Avid-L2
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