This IS the Avid L2: Re: [Avid-L2] Baselight for Avid

Thursday, June 5, 2014

Re: [Avid-L2] Baselight for Avid

Not sure I understand what you mean by "live" environment. Are you handing plugins back to Avid from baselight?

---In Avid-L2@yahoogroups.com, <jeff@...> wrote :

And if you happen to own a Baselight system.. or five, the toolset integrates in a "live" environment with Avid. We've been testing the beta plug-ins, and the speed gains are phenomenal.

JDS

Jeff Sengpiehl | Chief Engineer

Chainsaw, Inc.

Phone 323 - 785 - 1550

Direct 323 - 328 - 1608

http://www.chainsawedit.com

Jeff@...

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On Jun 5, 2014, at 5:41 AM, Steve Hullfish steve4lists@... [Avid-L2] <Avid-L2@yahoogroups.com> wrote:

Seconded

Steve Hullfish
author, "The Art and Technique of Digital Color Correction" and "Avid Uncut"

On Jun 5, 2014, at 12:49 AM, trevatpc@... [Avid-L2] <Avid-L2@yahoogroups.com> wrote:

If you haven't acquainted yourself with this plug-in then I strongly recommend that you do. Grading, tracked power windows, keying, resize/cropping etc make it a one stop shop. Set up rewind/fast forward to F5 and F6 and switch Baselight to use the numerical keypad for scratchpad and it is faster/better than Avid CCR. Start off with the film grade (exposure/contrast/saturation and lift/gamma/gain) then add a second primary ('P') draw a shape ('S'), switch back to grade ('G') and knock back the outside. There is so much goodness in this plug-in that the 30-day trial will come around too quick and you'll stump up £1000 of your own to carry on using it... Did I mention that I quite like it? The CCR that Symphony should have been, all within editorial interface (no xml / aaf round-tripping).