And if you happen to own a Baselight system.. or five, the toolset integrates in a "live" environment with Avid. We've been testing the beta plug-ins, and the speed gains are phenomenal.
Seconded
Steve Hullfishauthor, "The Art and Technique of Digital Color Correction" and "Avid Uncut"If you haven't acquainted yourself with this plug-in then I strongly recommend that you do. Grading, tracked power windows, keying, resize/cropping etc make it a one stop shop. Set up rewind/fast forward to F5 and F6 and switch Baselight to use the numerical keypad for scratchpad and it is faster/better than Avid CCR. Start off with the film grade (exposure/contrast/saturation and lift/gamma/gain) then add a second primary ('P') draw a shape ('S'), switch back to grade ('G') and knock back the outside. There is so much goodness in this plug-in that the 30-day trial will come around too quick and you'll stump up £1000 of your own to carry on using it... Did I mention that I quite like it? The CCR that Symphony should have been, all within editorial interface (no xml / aaf round-tripping).
Posted by: Jeff Sengpiehl <jeff@chainsawedit.com>
| Reply via web post | • | Reply to sender | • | Reply to group | • | Start a New Topic | • | Messages in this topic (3) |
No comments:
Post a Comment