Mr. Ken,
I thought you were a big DS operator. Does DS handle Red Epic raw files? I thought it had more options in those areas but I may be misinformed about this.
--- In Avid-L2@yahoogroups.com, "ksirul" <kenavid2@...> wrote:
>
> I think for the purpose of this particular series, that will work just fine. Using Source Settings as needed is probably fine. I guess we need to step up our Resolve capability.
>
> --- In Avid-L2@yahoogroups.com, "Terence Curren" <tcurren@> wrote:
> >
> > Using the RED SDK under "Source Settings" will allow you to adjust wherever you want. That is the beauty of RAW images. But once you are done there, that is the image that will get served up to the color corrector. It's not what you were hoping for.
> >
> > Of course if Avid ever actually updated their Color Corrector...
> >
> > --- In Avid-L2@yahoogroups.com, "ksirul" <kenavid2@> wrote:
> > >
> > > That would be fine if 1920x1080 is the final output....or am I missing something? Will the MC7/Symph CC pull the extra stops out of the image?
> > >
> > > --- In Avid-L2@yahoogroups.com, "Terence Curren" <tcurren@> wrote:
> > > >
> > > > AFAIK while Avid can look to the RAW RED file for resizing and applying the typical RED SDK color, it is then serving up that adjusted image to the timeline and so the Color Corrector is getting that adjusted 1920 x 1080 image to work with.
> > > >
> > > > --- In Avid-L2@yahoogroups.com, "ksirul" <kenavid2@> wrote:
> > > > >
> > > > > If a client cuts a show that is HD but includes linked 5K Red Epic files, how is MC7 color corrector handling grading? Is it grading from the RAW RED color info? How do you make the most of a RED Epic grade in MC7?
> > > > >
> > > > > KEN
> > > > >
> > > >
> > >
> >
>
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