Yeah the big one is 30K but for the seasoned operators it's 50% faster to operate. There a button or a knob for everything, or so I'm told. Reminds me of having my big ass video switcher to grab the fader bars and twist the knobs and basically have a tactile experience. Working 50% faster is money in the bank it just depends on how much volume you have for it. I think there is something to be said for the bigger panels but I don't see putting it on my home system just yet. Besides I'd need a bigger desk.
I did think of one great use for a dead Artist Color panel. If you have a cat handy and they like to run across your computer keyboard just stick in the Artist Color and watch the cat do a log rolling like dance as it tries to navigate across the 3 track balls. Could be fun. ;-)
--- In Avid-L2@yahoogroups.com, Jeff Kreines <jeff@...> wrote:
>
>
> On Jul 11, 2013, at 7:57 PM, "Terence Curren" <tcurren@...> wrote:
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> > Mike, it's useless with Symphony.
>
> Actually, to be fair, Symphony is useless with any panels. This goes way back. We talked with Avid about developing a panel for Synphony around 2004, until we got to see an MC Cooper panel with Symphony in the secret Avid Suite. The hooks for a panel in Symphony suck -- so much latency they are useless.
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> But it's not the panel's fault -- it's Symphony's.
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> That's ok, with Resolve, and Resolve 10 coming soon, that's a better choice for grading than Symphony (admitting there are virtues to Symphony in dealing with matching cameras or scenes easily)
>
> What panels (affordable ones) to people like for Resolve? Wave? Element? Others? Yeah, the $30K one is really nice, but it is $30K.
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>
> Jeff Kreines
> Kinetta
> jeff@...
> kinetta.com
>
>
>
>
>
>
> [Non-text portions of this message have been removed]
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