Re: [Avid-L2] Re: Alexa ProRes, Avid, and Frame Rates

 

Can you ask the post super or producer for the delivery requirements?

Just though of one alternate route:

- shoot and edit in 25
- turn over episodes to sound post and music in 25
- turn over feature to sound post and music at 24 (sound editing tools like Pyramix can actually pull it off, this software can open a 25 EDL and conform to 24fps with sample rate and pitch conversion)

Need to have composer and sound team on board of that, though.

On 6 jul. 2012, at 21:02, David Dodson wrote:

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> The deliverables for the feature film will be DCPs and 35mm film. The deliverables for the TV show I'm not certain about. Some HDCAM tape format I would imagine. I think. Off some digital master.

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