I've spent so long finishing for broadcast that I don't know the answer to this one…
Movie filming with Red camera.
Rough cutting in Avid.
Finishing for film output, as well as eventual DVD.
Should production company shoot at 24F (not 23.98) - we run Avid at 24 1080 project (not 23.98) - and prepare EDLs as always?
(like I said, I'm rusty for outputting to film at end)
What do you do about people wanting DVDs of work in progress? Does the 24fps not kill DVD making like I expect it to?
Anything I'm missing?
(perhaps any sound gotchas I should know about?)
Thanks,
Jeff
------------------
Jeff Hedberg
Union Editorial
575 Broadway
6th floor
New York, NY 10012
------------------------------------
Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
Yahoo! Groups Links
<*> To visit your group on the web, go to:
http://groups.yahoo.com/group/Avid-L2/
<*> Your email settings:
Individual Email | Traditional
<*> To change settings online go to:
http://groups.yahoo.com/group/Avid-L2/join
(Yahoo! ID required)
<*> To change settings via email:
Avid-L2-digest@yahoogroups.com
Avid-L2-fullfeatured@yahoogroups.com
<*> To unsubscribe from this group, send an email to:
Avid-L2-unsubscribe@yahoogroups.com
<*> Your use of Yahoo! Groups is subject to:
http://docs.yahoo.com/info/terms/
No comments:
Post a Comment