After playing with curves in Color Finesse in AE last week, as well as
curves in the free version of Davinci Resolve, I was surprised at how much
better they react to just a Mac mouse, when compared to curves in MC5.5 on
the same MacPro. I felt like I was in control rather than this sensation of
a tug-of-war that I get with MC and Symphony curves. Same goes with the hue
offsets.
Dennis Kutchera
On Sun, Dec 4, 2011 at 6:27 PM, Jeff Krebs <rockinjeff@gmail.com> wrote:
> **
>
>
> funniest end of post I've seen in a long time.
>
> On Sun, Dec 4, 2011 at 5:15 PM, johnrobmoore <bigfish@pacbell.net> wrote:
>
> > **
>
> >
> >
> > I had thought that the simultaneous control of 3 parameters was the main
> > reason behind the laggy and chunky feel but it has been pointed out in
> this
> > thread that the feel is similar to that of the kennsington expert mouse
> and
> > that only controls one parameter at a time. This seems to point to the
> > software behind the color corrector as you say and less about the
> multiple
> > active parameters. Multiple parameters may be exacerbating the already
> > chunky feel of the track ball interface. Hey Bevis I just said
> > "exacerbating" and "track ball" in the same sentance, he,he, he,he. ;-)
> >
> > -
>
[Non-text portions of this message have been removed]
Sunday, December 4, 2011
Re: [Avid-L2] Re: Artist/MC Color Panel Knob sensitivity etc...?
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