Don't have Symphony - so I guess tape to tape it is.
I know how to set the anchor point on the D5 - but I'll admit that I don't know how I'd do this on a Digibeta deck. (is this necessary?)
I've set the D5's anchor point to be 01:00:00:00
I just essentially play back the D5, and crash record on the digi. This looks good - but has given me mixed results with the timecode.
I looked around online for some help and came across this post: http://lfhd.net/2008/10/22/timecode-calculator/
I downloaded it - and it doesn't seem to convert like I expect at all.
I punch in 00:01:30:00 in 29.97DF and then change to 23.98 (drop?!) and get an answer of 00:01:52:12 which really, really confuses me.
I can't figure out how I'd use this to get my in and out lining up on the tape at all.
Assuming I want the following:
IN : 1:00:00:00
OUT: 1:01:29:29
IN: 1:03:00:00
OUT: 1:04:29:29
and so on - how would I figure out where those need to fall in 23.98 time code? Seems like this software needs a similar 'anchor point' setting?
(maybe I'm missing something obvious)
Jeff
------------------
Jeff Hedberg
On Jun 6, 2011, at 1:22 PM, Dom Q. Silverio wrote:
> If you don't have Symphony DX with Universal Mastering, option 2 (downcovert
> via deck is preferable).
>
> Make sure you are calculating frames and TC correctly (pulldown, DF vs NDF,
> etc).
> Second, make sure the deck has the same "anchor point" for the TC
> conversion. For example make sure 01:00:00.00 in 23.976p is the same frame
> as 01:00:00.00 in your 29.97 conversion.
>
> Dom Q. Silverio
>
> On Mon, Jun 6, 2011 at 1:04 PM, Jeff Hedberg <jeff@unioneditorial.com>wrote:
>
> > I've got a head scratching workflow question.
> >
> > Footage is coming in via AMA - all shot @ 23.98 HD.
> > After rough cutting (DNxHD 36) at 23.98 - I now need to output at 29.97 SD
> > master.
> > I relink AMA - and now have full resolution in the Avid.
> >
> > Hardware is Nitros DX.
> > I had thought that I'd use the 'downconvert' video output and insert edit
> > to digibeta - however MC complains that it can't control a 29.97 deck in a
> > 23.98 project.
> >
> > So I've now started a 29.97 project and opened the sequences in there.
> > Before it will output it needs to transcode. I have it do that at 1:1...
> > then output.
> >
> > This is tape 1.
> >
> >
> > I now output a D5 at 23.98, (from full res AMA files) then play it back and
> > record a Digibeta from it.
> > This Digibeta is tape 2.
> >
> >
> > Tape 2's visually quality is a lot higher than Tape 1.
> > However, Tape 2 - has timecode issues where I can't get the pieces to
> > start/end on the frames they need to.
> >
> >
> >
> > What is the recommended workflow for dealing with something like this
> > (changing TC rate from 23.98 to 29.97DF, as well as HD to SD)?
> >
> > I'm not happy with the Avid's transcoding/down-converting quality - but I
> > can't seem to wrap my head around how to get my D5 tape set up properly for
> > a tape to tape down convert.
> >
> >
> > Thanks for any pointers.
> >
> > Jeff
> >
> > ------------------
> > Jeff Hedberg
> >
> >
> >
> >
> > ------------------------------------
> >
> > Search the offical complete Avid-L archives at:
> > http://archives.bengrosser.com/avid/
> >
> > If you want to donate to Red Cross quake relief, you can do so through your
> > cell phone. Text redcross to 90999 to make a $10 donation. It will be on
> > your next cell bill.Yahoo! Groups Links
> >
> >
> >
> >
>
> [Non-text portions of this message have been removed]
>
>
[Non-text portions of this message have been removed]
------------------------------------
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