Oh and I forgot when multigrouping the sub sequences you do it based on the aux time code.
--- In Avid-L2@yahoogroups.com, "johnrobmoore" <bigfish@...> wrote:
>
> This sounds like he needs to use multi group function not just a regular group. This is the way they approach grouping a 24 hour day in reality. I'm assuming there are several cameras starting and stopping during a scene. Too bad they are stopping our guys are told not to stop rolling during a scene. Using primary audio usually from a separate location sound guy recording all track to his DAW as the timeline basis then you auto sequence all the clips from a camera and cut that on to a timeline syncing the various clips to the audio already cut in. Add a video track and a couple audio tracks for each camera. Once everything is synced you have a checkerboard of all your cameras. Then you go through and add edits at the start and stop of each shot. The go through track by track and add aux time code that matches the sound base time code in the timeline. Some people add a black source to the video gaps to avoid a reshuffling of the cameras in the 4 up and 9 up display when a camera doesn't exist for a section. With all the add edits and aux time code in place you sub sequence all sections between add edits and put those all in a bin and highlight them all and voila about 3 days after starting you have a multigroup that can then be devide into shorter sections if so desired. Man I picked the wrong decade to stop drinking.
>
> --- In Avid-L2@yahoogroups.com, Terence Curren <tcurren@> wrote:
> >
> > Have a client who is shooting P2 to a Firestore. This results in a ton of very short clips. The offline editor wants to be able to create a single multicam group instead of having 15 different groups for a scene. Is there a way to do that?
> >
> >
> > Terence Curren
> > Burbank, CA
> >
> > www.alphadogs.tv
> > www.digitalservicestation.com
> >
> > www.editorslounge.com
> >
> >
> > [Non-text portions of this message have been removed]
> >
>
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