Or you could've 'Set Bin Display' in your sequence bin to 'Show reference clips'...
Christopher Pitbladdo
Creative Director
DB Creative
496 Ferry Road
Edinburgh
EH5 2DL
Tel: 0131 552 5530
Mob: 07590 570 683
Email: christopher@dbcreative.tv
Web: www.dbcreative.tv
On 17 Jan 2011, at 23:57, Dylan Reeve <dylan@dylan.wibble.net> wrote:
> Job, 'love' is probably too strong a word, but I'm very appreciative of your
> help on this :)
>
> This is just the sort of lateral thinking I'd been lacking! It worked
> perfectly. Initially it was slow going as each "roll" was in it's own bin
> (over 120) but then I realised I could just use Media Tool to gather them up
> and copy them all into their own bin, and applied the Filename into the
> Camroll of all 2500ish clips in just seconds.
>
> Dylan Reeve
> http://dylanreeve.com/
>
>
> On Tue, Jan 18, 2011 at 6:14 AM, Job ter Burg (L2B) <Job_L2@terburg.com>wrote:
>
>>
>>
>> Dylan
>> If you dupe (crtl-D) the masterclipnames into the Camroll or Labroll
>> column, any (older) subclips and subclips will also take that metadata.
>>
>> After that, in EDL mamager, choose Labroll as the Source, and File16 as the
>> template.
>>
>>
>> J.
>>
>> Sent from my iPhone
>>
>> On 17 jan. 2011, at 07:45, Dylan Reeve <dylan@dylan.wibble.net<dylan%40dylan.wibble.net>>
>> wrote:
>>
>>> We're getting to the online stage of a RED telefeature and finding
>>> trouble...
>>>
>>> The workflow we adopted was AMA R3D into Media Composer then transcode to
>>> DNxHD36
>>>
>>> Now the plan is to reconform from R3D in Resolve for finishing and grade.
>>> But there's some issues...
>>>
>>> It seems that the Assistant Editor, who was great but not familiar with
>> RED
>>> stuff, has taken it upon himself to add 'Tape' metadata to all the AMA
>> clips
>>> before transcoding. This make no difference in the editing process, but
>> now
>>> that we've come to online it's made exporting an EDL for Resolve to be
>>> pretty difficult as the Avid EDL manager offers only a "Tape or Filename"
>>> source option, which in this workflow usually this would create an EDL
>> with
>>> filename in the source column (using the "File_16" EDL type) however
>> because
>>> a Tape number is specified it is using that instead.
>>>
>>> I've been unable to get any settings to give me something usable - I
>> really
>>> need the filename for the conform. Neither the "Clip Name" (gives me
>> Subclip
>>> name with scene/take info) nor "Source File" (only gives be the tape name
>>> eg, "A071") comments options help.
>>>
>>> I also can't modify the clips to have no Tape info once it's been
>> assigned.
>>>
>>> I've sent a couple of sample AAFs to the post house to test with Resolve
>> (or
>>> whatever else thy can try using) but would like to get an EDL if possible
>>> anyway.
>>>
>>> Anyone dealt with this issue before? It's frustrating that the EDL
>> Manager
>>> doesn't offer an explicit option to choose between Tape or Filename.
>>>
>>> Dylan Reeve
>>> http://dylanreeve.com/
>>>
>>>
>>> [Non-text portions of this message have been removed]
>>>
>>>
>>>
>>> ------------------------------------
>>>
>>>
>>> Search the offical complete Avid-L archives at:
>> http://archives.bengrosser.com/avid/
>>>
>>> Yahoo! Groups Links
>>>
>>>
>>>
>>
>>
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ------------------------------------
>
>
> Search the offical complete Avid-L archives at: http://archives.bengrosser.com/avid/
>
> Yahoo! Groups Links
>
>
>
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