I would never spend that kind of money on a shooting rig and that is not my bread and butter. I know they are getting cheaper and maybe an inexpensive rig would be fun to work with. Its a fun camera to try the pro bono stuff on and to experiment with. But for the real jobs, I will continue to hire shooters who are willing to pay the big bucks for this stuff while I put my money into post and my kids college fund.
Lou
On Jan 30, 2011, at 5:37 PM, oliverpetersvidy wrote:
> Lou,
>
> I think it's essential that you invest in a decent rig. The photos of the camera in these two posts of mine are the rig that the DP used for the shoots in my Vimeo links.
>
> http://tinyurl.com/yj2f2rs
> http://tinyurl.com/2bxvdvh
>
> He had existing Arri gear modified for rails, handles, mounting, etc. A couple of other clients of mine have built up complete rigs optimized for their cameras. These included various Zacuto and other parts (rails, matte box, follow focus, eyepiece, LCD monitor, HDMI-to-SDI convertor, external battery).
>
> Once you add all of this up, you are looking at $5K-$8K in parts. Then add glass - in some cases, Zeiss Compact Primes ($28K a set). So you really have to be serious about it to do it right.
>
> That's one of the reasons I think Panasonic's AF100 will have a lot of legs to it. Many of the people who had racked up some experience with these HDSLRs, still prefer a "real" camera, but don't want to lose the "look". That's what the AF100 provides.
>
> - Oliver
>
>
Lou Wirth Productions
500Tamal Plaza, Suite 522
Corte Madera, CA 94925
www.louwirth.com
415-924-9411p
[Non-text portions of this message have been removed]
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