> Steve Hullfish wrote:
> unless you control the entire production process
> you are going to be seeing a lot of DSLR crap.
Totally agree. One of the good things I see, though, is that since the cameras are cheap, I'm seeing more two-camera set-ups, especially on interviews. Of course, that's more footage to wade through, but as an editor it gives you more options. I also notice that although not a perfect match, the colorimetry of two 5Ds side-by-side seems to be closer than two Panasonics or Sonys, especially when no "video village" is involved in the production.
- Oliver
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