How does this effect our EDLs?
For the life of me, I can't figure out how you create an edl that has
both 24 and 29.97 footage in the same sequence.
Or are people not outputting EDLs but something else? For our workflow
we'll offline in MC then usually color correct out of house and
conform in Flame.
I admit, I haven't had a proper amount of time to figure out the EDL -
but it jumped to the front of my mind when I read this post.
Thanks,
Jeff
On Jan 21, 2010, at 5:28 PM, RT wrote:
> WOW. I have been impressed with the mx & match handling of non-native
> source clips when cutting a new sequences, but today I found a real
> gem.
>
> Started a 30i project
> opened a bin from a 24P project
> Opened a SEQUENCE that had been cut @ 24p
> BAM! it converted the whole thing to a playable 30i sequence complete
> with layers and effects.
>
> That's amazing step forward and I got a real tickle out of it.
>
> Thanks Frank.
>
> RT
>
> (Only limitation I found was the inability to handle imported matte
> keys
> that were non-native. MC seemed fine with Avid fx, keyframes and
> plugins)
>
> [Non-text portions of this message have been removed]
>
>
>
[Non-text portions of this message have been removed]
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