<<While visually arresting, the story is pure hack work. Among other things, it cannibalizes "Dances With Wolves" and a dozen other films.>>
I too walked out feeling I had already seen this movie.
<<To his credit, Cameron uses a light touch in how he applies the 3D.>>
Agreed. For one thing, it stays behind the screen. No objects popping out over the audience crap.
<<And while I fully acknowledge the ground-breaking way in which the movie was made, I can't help but feel like it looked like really, really, really good game animation.>>
I think the biggest breakthrough with this movie had nothing to do with 3D. It was the amazing use of the motion capture / CG work. The actors came through so well that I found myself wondering how the heck they pulled it off. If it wasn't for the big eyes, I would have sworn all the close-ups were actors in makeup. It was that good.
Not like Polar Express where the people just looked freaky.
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