Relying on the ama route as an alternative to capture or consolidating to dnx still seems pretty risky. Of course quick turn around new etc.. is another story. That's what I've learned from the L2. Am I just being overly cautious?
--- In Avid-L2@yahoogroups.com, Greg Huson <Greg@...> wrote:
>
> Also, AMA really kills with file based source. Only caveat use
> sometime the application looses track of the source when you shut
> down, or move drives to another machine. You just have to point to
> the drive on restart- no big deal. Also, quciktime reference doesn't
> work with AMA footage- but that's pretty minor inconvenience. Not
> digitizing, import, or transcode needed.
>
> Greg (at) secrethq.com
> Greg Huson
> Secret Headquarters, Inc
> www.DigitalServiceStation.com
> www.SecretHQ.com
> iPhone
>
>
>
> On Jan 8, 2010, at 5:09 PM, Chris <chris_rtvf@...> wrote:
>
> > Client shoots 1080p 29.97 on ex3. Has 1080i material on tape too.
> > Wants 1080i edit and sd 60i broadcast master.
> >
> > Advice on worflow? Project type? Mixing formats?
> >
> > Think the file based thing could be an issue. Is there a bunch of
> > transcoding in my future?
> >
> > How would one tackle the same task acquiring 23.97 p via ex3.
> >
> > Think I get crossed up there with how pulldown is added in file based
> > workflow?
> >
> > Past formats either did this in camera or in deck.
> >
> > Not possible to record 24 frames to an sxs card with the camera adding
> > pulldown to really record at 29.97i. Like the older panasonic sdx900
> > did?
> >
> > Hmmm.
> >
> > Sorry for the rudimentary question but since I hate file based
> > workflow I have steered clear of progessive material captured as
> > such...Until now.
> >
> > Version 3.5 soon to be 4.0 composers.
> >
> > Chris Magid
> > RTVF
> > Office- 214 350 7212
> > Cell---- 214 766 7212
> >
> >
>
>
> [Non-text portions of this message have been removed]
>
------------------------------------
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