Ian Wilson
Colortape Productions
Ian@colortape.tv
0418 327 082
Via iPhone
On 15/11/2009, at 8:07 PM, "prberg2" <prberg2@yahoo.com> wrote:
> Chris,
>
> I just don't know how someone can do offline and online, and do both
> well. Trying to craft a compelling and interesting story from a
> pile of raw footage is one thing, but then asking the same person to
> color correct the show, setup the deck with proper pulldown and
> reference, paint out a boom and crew member in 2 of the shots and
> make sure they preserve the cc info while they insert the fix to the
> tape seems like a pretty huge job description. To me it would be
> like asking the DP to not only shoot the movie but to cook dinner
> for the crew and come up with the entire budget for the production
> as well.
>
> I really see a benefit and a higher quality end product if each
> member of the team does what they do best and can do it really
> well. I would never call myself a sound mixer, even if I do know
> how to use the audio mixer tool.
>
> -Peter
>
>
>
> --- In Avid-L2@yahoogroups.com, chris magid <chris_rtvf@...> wrote:
>> #1
>>
>> The online/offline workflow is now more about tools and
>> shortcomings than people. In our shop we think of most post
>> production as one process and we employee post production
>> specialists to create edits from soup to nuts. That means graphic
>> design, effects, color correction and etc. This is a good fit for a
>> great majority of projects provided you have the right people. The
>> short of it is...THERE IS NO MORE ONLINE...THERE IS NO MORE OFFLINE
>> for most projects.
>>
>
>
>
>
>
> ------------------------------------
>
> Search the offical complete Avid-L archives at: http://archives.bengrosser.com/avid/
>
> Everything you MUST know about Color Correction in one book: http://tinyurl.com/ColorCorectionforvideo
> Get your copy todayYahoo! Groups Links
>
>
>
------------------------------------
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