Tuesday, January 21, 2020

Re: [Avid-L2] How do different New Blue Effects end up linked after promoting Avid Title Tool Effect to New Blue?


John,
Depending on your computer and OS, Titler Pro 7 was early tested by me (I work closely with their team in de-bugging) – and it has a plethora of issues, especially on Mac prior to High Sierra/Sierra, and on Cheese Grater MacPros.

I reverted back to TP ver 6 and found less issues.

We all wish NewBlue FX would bite the bullet and prepare a real, contextual manual that is .pdf searchable, instead of going to their default website.

The issue you have is one of training – NewBlueFX has a "convenient" way to change ALL the related pages in your present project by changing just ONE page.  This is called "SHARE."  When you compose a new title, it defaults to SHARE mode.  Inconsistently, there is a slide tab above the compose window that allows you to flip the current title page you are creating to "UNSHARED."  I do this out of habit to avoid the issue you are going through.

Sometimes, that slide tab does not appear, and you have to go to the left sidebar to try a similar, but different menu: That menu has a pull-down menu that keeps track of each page you save.  You can then reference the CURRENT page you are creating to a previous page, or choose to not link it at all.  This duality in selecting SHARE or UNSHARED pages is confusing, and hopefully was eliminated in TP 7, but that's getting ahead of ourselves.

When you SHARE or link to a previously composed/saved page, you are really saying that the previous file is a TEMPLATE.  So if you create 30 new pages and they all link back to the first page, they are now connected.  Go back and change the font style, color of the root page, and all 29 other pages change.

I hope this helps.


Keoni Tyler
Keoni Tyler's Kitchen Table Editorial
Keoni.Tyler.KTe@Gmail.com






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Re: [Avid-L2] Bins sorted by Timeline position?

Paul,
Don't hijack. (Short version, do NOT reply to an existing message and just change the subject. Those of us (nearly all I suspect) have e-mail clients that keeps track of the thread, totally ignoring the subject line for sorting. So, create  new, fresh message and send that to the group.)

To answer: 
What does Decompose do? (Not behind an Avid now)

But I think it's a long shot. And, clips appearing on timeline is not perse the same order as appearing in the show if you edit on multiple tracks
For sound, start of clip could be muted, same goes there.

What are you trying to do?
Bouke

Edit 'B / VideoToolShed.com
van Oldenbarneveltstraat 33
6512 AS  Nijmegen
+31 6 21817248

On 22 Jan 2020, at 06:07, Paul Darrigo <fedguy2@pacbell.net> wrote:

Hi,

circling back on this question.   Anyone know how to arrange clips in a bin to the order they appear in the timeline?

Thanks

Paul Darrigo
CHULA - Citizens for a Humane Los Angeles
https://www.facebook.com/groups/773416409436730/
323-244-8020


Re: [Avid-L2] Bins sorted by Timeline position?

Hi,

circling back on this question.   Anyone know how to arrange clips in a bin to the order they appear in the timeline?

Thanks

Paul Darrigo
CHULA - Citizens for a Humane Los Angeles
https://www.facebook.com/groups/773416409436730/
323-244-8020

_._,_._,_

[Avid-L2] How do different New Blue Effects end up linked after promoting Avid Title Tool Effect to New Blue?

I'm having big issues using the New Blue Titler Pro 7.  I took an avid title tool credit sequence which was very simple cards and promoted them to New Blue.  I experienced the usual formatting issues and was able to correct things.

The problem I'm having that is critical is somehow changing one card in the credits changes other cards in the sequence.  I confirmed if I take one card and duplicate it at the end of the sequence and make a change to the end new blue effect it changes the other new blue effect that I had cut and pasted from.  I can see this might be a feature that would allow for changing a person's ID lower third once and have it change through out the sequence but in my case I want all cards to be individual and unique.  Given all the new blue effects were promotions of Avid Title Tool I would think that that process would create unlinked unique effects for each card but that is not what I'm experiencing.

Also it keeps asking me to save the project in the documents folder before I can save to the timeline.  It also prompts initially do I want to save the title individually or together.  Then it keeps prompting me on later saves that I will be replacing the nbtitle project, or some such message.  Does this have anything to do with how various new blue effects appear to be linked.

I'm very novice in  New Blue but the inability to save a title and have it stick is catastrophic.  Any help would be appreciated as I'm sure I'm just not understanding the workflow of New Blue.

John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net




John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net

Re: [Avid-L2] Sequence names in two different fonts sizes.

This seems to be working.  Thanks.
----------------------------------------------------
Greg Huson
GK Huson, LLC
Secret Headquarters, Inc
Santa Monica, CA
www.SecretHQ.com   

On Jan 18, 2020, at 4:41 PM, John Moore <bigfish@pacbell.net> wrote:

I assume you can still import parts of your settings.  When I had weird timeline font changes I created a new user and used the default timeline setting to import into my existing settings.  That fixed the font issues I was having.  I have not gone to 2019 but perhaps something similar would apply?

Re: [Avid-L2] No audio when importing MTS files into MC 2019.12

Looks like this is broken when linking, too (2012.12, Mac).

With Best Wishes, Roger Shufflebottom +44 7973 543 660


On Tuesday, 21 January 2020, 03:00:37 GMT, bouke <bouke@editb.nl> wrote:


This might do the trick:
https://www.videotoolshed.com/product/mp4-to-qt/

If you run into trouble, send me some testclips and I'll try to fix it.


Bouke

Edit 'B / VideoToolShed.com
van Oldenbarneveltstraat 33
6512 AS  Nijmegen
+31 6 21817248

On 21 Jan 2020, at 03:18, Gowanus Canal <gowanuscanalstinks@gmail.com> wrote:

Does that format depend on AC3 audio? I think there is a bug with the activation of the AC3 decoder with the latest version of MC. Check the Avid forum. 

DQS


On Jan 20, 2020, at 9:14 PM, Tim McLaughlin <mcltim.156@gmail.com> wrote:


Doing long-distance tech support for a producer/editor friend...

He's trying to import MTS files from his hard drive into MC Ultimate 2019.12 and it is stripping off the audio. Windows correctly identifies the audio (Stereo / 384kbps /48 kHz) Source is 1080/30 from a Panasonic AVCCAM camcorder.

This workflow has worked just fine for him in the past on other versions of MC, so he's a bit puzzled as to the issue.

If direct import is failing, should he be bringing it in via AMA? Transcoding before import?

My Google-fu is weak at the moment, a quick web search is the first thing I tried.

Any advice would be helpful. TIA!

--
Tim McLaughlin
Premiere Pro Editor (formerly Avid and FCP editor as well)
http://vimeo.com/mcltim

Monday, January 20, 2020

Re: [Avid-L2] No audio when importing MTS files into MC 2019.12

This might do the trick:
https://www.videotoolshed.com/product/mp4-to-qt/

If you run into trouble, send me some testclips and I'll try to fix it.


Bouke

Edit 'B / VideoToolShed.com
van Oldenbarneveltstraat 33
6512 AS  Nijmegen
+31 6 21817248

On 21 Jan 2020, at 03:18, Gowanus Canal <gowanuscanalstinks@gmail.com> wrote:

Does that format depend on AC3 audio? I think there is a bug with the activation of the AC3 decoder with the latest version of MC. Check the Avid forum. 

DQS


On Jan 20, 2020, at 9:14 PM, Tim McLaughlin <mcltim.156@gmail.com> wrote:


Doing long-distance tech support for a producer/editor friend...

He's trying to import MTS files from his hard drive into MC Ultimate 2019.12 and it is stripping off the audio. Windows correctly identifies the audio (Stereo / 384kbps /48 kHz) Source is 1080/30 from a Panasonic AVCCAM camcorder.

This workflow has worked just fine for him in the past on other versions of MC, so he's a bit puzzled as to the issue.

If direct import is failing, should he be bringing it in via AMA? Transcoding before import?

My Google-fu is weak at the moment, a quick web search is the first thing I tried.

Any advice would be helpful. TIA!

--
Tim McLaughlin
Premiere Pro Editor (formerly Avid and FCP editor as well)
http://vimeo.com/mcltim

Re: [Avid-L2] No audio when importing MTS files into MC 2019.12

Does that format depend on AC3 audio? I think there is a bug with the activation of the AC3 decoder with the latest version of MC. Check the Avid forum. 

DQS


On Jan 20, 2020, at 9:14 PM, Tim McLaughlin <mcltim.156@gmail.com> wrote:


Doing long-distance tech support for a producer/editor friend...

He's trying to import MTS files from his hard drive into MC Ultimate 2019.12 and it is stripping off the audio. Windows correctly identifies the audio (Stereo / 384kbps /48 kHz) Source is 1080/30 from a Panasonic AVCCAM camcorder.

This workflow has worked just fine for him in the past on other versions of MC, so he's a bit puzzled as to the issue.

If direct import is failing, should he be bringing it in via AMA? Transcoding before import?

My Google-fu is weak at the moment, a quick web search is the first thing I tried.

Any advice would be helpful. TIA!

--
Tim McLaughlin
Premiere Pro Editor (formerly Avid and FCP editor as well)
http://vimeo.com/mcltim

[Avid-L2] No audio when importing MTS files into MC 2019.12

Doing long-distance tech support for a producer/editor friend...

He's trying to import MTS files from his hard drive into MC Ultimate 2019.12 and it is stripping off the audio. Windows correctly identifies the audio (Stereo / 384kbps /48 kHz) Source is 1080/30 from a Panasonic AVCCAM camcorder.

This workflow has worked just fine for him in the past on other versions of MC, so he's a bit puzzled as to the issue.

If direct import is failing, should he be bringing it in via AMA? Transcoding before import?

My Google-fu is weak at the moment, a quick web search is the first thing I tried.

Any advice would be helpful. TIA!

--
Tim McLaughlin
Premiere Pro Editor (formerly Avid and FCP editor as well)
http://vimeo.com/mcltim
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Re: [Avid-L2] HDR Nit Level project vs. adapter vs. monitor?

I'm not sure about the AJA. I assume it is injecting the metadata needed that you manually set, but it should match the original signal format. The Hi5 is not doing tone mapping. I am only assuming since I don't use that device. The AJA FS-HDR can tone map for $8K.

Resolve can be configured to output tone mapped signal using the second SDI out of your BM/Avid Device. This is not a "stereo" output a la 3D. Your project settings dictate the primary SDI. The second out is based on the iCMU settings (Dolby Vision tab in the Color page). Both are full resolution.
PROJECT SETTINGS > MASTER SETTINGS > VIDEO MONITORING > USE DUAL OUTPUT ON SDI

Note this will not work with 4K/UHD projects. You will need the Decklink 8K.




On Mon, Jan 20, 2020 at 4:51 PM John Moore <bigfish@pacbell.net> wrote:
I guess the core of my question is how the aja control panel settings are designed.  If I choose 2084 600 Nits in the aja control panel while feeding 1000 Nits from the DNxIO Resolve output to the Hi5 HDMI converter is the aja Hi5 4K Plus going to tone map the HDMI output to 600 Nits.

Also I'm not sure what you mean by the Resolve Dolby timeline (SDI 2)?  Is there a difference between SDI 1 and SDI 2 on my DNxIO outputs.  I found while setting up  the fake stereo project to spit HDR out one eye and SDR out the other eye that the DNxIO outputs were not top row vs bottom row but spigot 1 was left eye and spigot 2 was right eye when in HD mode. 

So many little details along the way that seem like they should be much more straight forward but that's probably my lack of experience in this arena.

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Re: [Avid-L2] HDR Nit Level project vs. adapter vs. monitor?

I guess the core of my question is how the aja control panel settings are designed.  If I choose 2084 600 Nits in the aja control panel while feeding 1000 Nits from the DNxIO Resolve output to the Hi5 HDMI converter is the aja Hi5 4K Plus going to tone map the HDMI output to 600 Nits.

Also I'm not sure what you mean by the Resolve Dolby timeline (SDI 2)?  Is there a difference between SDI 1 and SDI 2 on my DNxIO outputs.  I found while setting up  the fake stereo project to spit HDR out one eye and SDR out the other eye that the DNxIO outputs were not top row vs bottom row but spigot 1 was left eye and spigot 2 was right eye when in HD mode. 

So many little details along the way that seem like they should be much more straight forward but that's probably my lack of experience in this arena.
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Re: [Avid-L2] HDR Nit Level project vs. adapter vs. monitor?

If you feed the LG C9 with 1000 nits from Resolve + AJA, you will see clipping and/or posterization. This is fine if you are looking at what 1000 nit will look like to a < 1000 nit monitor. 

If you feed the AJA the tone map 600 output of your Resolve Dolby timeline (SDI 2), you should see what a Dolby processor would look like if you master at 1000 but mapped to 600. 

DQS


On Jan 20, 2020, at 1:33 PM, John Moore <bigfish@pacbell.net> wrote:


I picked up a new C9 LG OLED and am having it professionally calibrated for both SDR and HDR.  I haven't looked up the exact specs for the LG OLED but I'm guessing it's going to be around 600 Nits.

So I've only dabbled with HDR in Avid and a bit more in Resolve.  I know in Resolve I can set the standard 2084 to 1000 Nits and I think there is also a 600 Nit choice.  With Resolve I am of the understanding those settings will limit the output to a max output of 1000 Nits, something like 728 on the Resolve scope, or 600 Nits etc...  I haven't played with Avid enough to know how its' architecture works in this regard.

I have the Aja Hi5 4K Plus to convert SDI to HDMI and turn on the HDR flag.  The control panel for the Aja also has choices of 1000 Nits and 600 Nits.  I know the unit works and sets the HDR flag when set to 2084 mode and will trigger HLG when is is set to HLG.  I know the delivery spec for HDR typically is 1000 Nits for Netflix and I assume other networks etc... 

My question is is the Hi5 4K Plus in essence tunneling into the LG OLED and telling the monitor the signal is 1000 Nits or 600 Nits based on the control panel settings?  I know it turns on the HDR mode and it seems to work but I don't quite understand what is going on under the hood.  Usually tunneling happens with a eCMU hardware unit but now with the right Black Magic hardware I/O, "Ultra Studio 3 Extreme and a card version", Resolve can tunnel with it's own iCMU.

So is the Hi5 4K Plus tunneling in the traditional sense I've been told which means it is talking to the Dolby Chip inside the LG OLED or is it just turning on the HDR/HLG mode?   Given the delivery spec is 1000 Nits it seems the project should always be in 1000 Nit mode but what about the Hi 5 adapter should it be set to the destination monitor capabilities, in this case 600 Nits, or set to 1000 Nits to reflect the actual source signal coming into the adapter?

Just spinning in my head and I'm trying to suss this out.

John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net

[Avid-L2] HDR Nit Level project vs. adapter vs. monitor?

I picked up a new C9 LG OLED and am having it professionally calibrated for both SDR and HDR.  I haven't looked up the exact specs for the LG OLED but I'm guessing it's going to be around 600 Nits.

So I've only dabbled with HDR in Avid and a bit more in Resolve.  I know in Resolve I can set the standard 2084 to 1000 Nits and I think there is also a 600 Nit choice.  With Resolve I am of the understanding those settings will limit the output to a max output of 1000 Nits, something like 728 on the Resolve scope, or 600 Nits etc...  I haven't played with Avid enough to know how its' architecture works in this regard.

I have the Aja Hi5 4K Plus to convert SDI to HDMI and turn on the HDR flag.  The control panel for the Aja also has choices of 1000 Nits and 600 Nits.  I know the unit works and sets the HDR flag when set to 2084 mode and will trigger HLG when is is set to HLG.  I know the delivery spec for HDR typically is 1000 Nits for Netflix and I assume other networks etc... 

My question is is the Hi5 4K Plus in essence tunneling into the LG OLED and telling the monitor the signal is 1000 Nits or 600 Nits based on the control panel settings?  I know it turns on the HDR mode and it seems to work but I don't quite understand what is going on under the hood.  Usually tunneling happens with a eCMU hardware unit but now with the right Black Magic hardware I/O, "Ultra Studio 3 Extreme and a card version", Resolve can tunnel with it's own iCMU.

So is the Hi5 4K Plus tunneling in the traditional sense I've been told which means it is talking to the Dolby Chip inside the LG OLED or is it just turning on the HDR/HLG mode?   Given the delivery spec is 1000 Nits it seems the project should always be in 1000 Nit mode but what about the Hi 5 adapter should it be set to the destination monitor capabilities, in this case 600 Nits, or set to 1000 Nits to reflect the actual source signal coming into the adapter?

Just spinning in my head and I'm trying to suss this out.

John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net

Saturday, January 18, 2020

Re: [Avid-L2] Sequence names in two different fonts sizes.

I assume you can still import parts of your settings.  When I had weird timeline font changes I created a new user and used the default timeline setting to import into my existing settings.  That fixed the font issues I was having.  I have not gone to 2019 but perhaps something similar would apply?
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Re: [Avid-L2] OLD project/footage in new software.

You're welcome, glad to hear.

 

 

Randall L. Rike, ACI, ACSR

(818) 406-8480 Mobile

indypix4u@portablepost.com

 

 

 

 

 

 

From: Avid-L2@groups.io <Avid-L2@groups.io> On Behalf Of messymeyer99 via Groups.Io
Sent: Saturday, January 18, 2020 11:04 AM
To: Avid-L2@groups.io
Subject: Re: [Avid-L2] OLD project/footage in new software.

 

That worked!!! Thank you both. 

Regards,

 

Michael Meyer

 



On Jan 18, 2020, at 3:08 AM, Pat Horridge <pat@horridge.org.uk> wrote:



I'd also trash the database files. 

 

Pat Horridge


From: Avid-L2@groups.io <Avid-L2@groups.io> on behalf of Randall L. Rike via Groups.Io <indypix4u=portablepost.com@groups.io>
Sent: Friday, January 17, 2020 10:36:02 PM
To: Avid-L2@groups.io <Avid-L2@groups.io>
Subject: Re: [Avid-L2] OLD project/footage in new software.

 

The folder name should be "OMFI MediaFiles".  It should be at the root level of the media drive volume.  There cannot be any sub-folders inside of it.  The recommended max file count is 5,000.

 

 

••••••••••••••

Randall L. Rike, ACI, ACSR

(818) 406-8480 Mobile

indypix4u@portablepost.com

 

 

 

 

 

 

From: Avid-L2@groups.io <Avid-L2@groups.io> On Behalf Of messymeyer99 via Groups.Io
Sent: Friday, January 17, 2020 11:23 AM
To: Avid-L2@groups.io
Subject: [Avid-L2] OLD project/footage in new software.

 

Hi all,

I've been away from MC for a while and need to play with a sequence from a very old project (MC 5 or 4). I created a new project in the latest version and imported all my old bins and sequences but the sequence and footage files aren't linking. The old footage were omfi files. Is there something that I would need to do to have the project recognize and link back to those old files? Is there a file folder structure that I need to follow? Again, been away for a while and I'm slowly getting reacquainted with the software. Thank you so much for any guidance! 

Michael Meyer

Re: [Avid-L2] OLD project/footage in new software.

That worked!!! Thank you both. 

Regards,

Michael Meyer


On Jan 18, 2020, at 3:08 AM, Pat Horridge <pat@horridge.org.uk> wrote:


I'd also trash the database files. 

Pat Horridge

From: Avid-L2@groups.io <Avid-L2@groups.io> on behalf of Randall L. Rike via Groups.Io <indypix4u=portablepost.com@groups.io>
Sent: Friday, January 17, 2020 10:36:02 PM
To: Avid-L2@groups.io <Avid-L2@groups.io>
Subject: Re: [Avid-L2] OLD project/footage in new software.
 

The folder name should be "OMFI MediaFiles".  It should be at the root level of the media drive volume.  There cannot be any sub-folders inside of it.  The recommended max file count is 5,000.

 

 

Randall L. Rike, ACI, ACSR

(818) 406-8480 Mobile

indypix4u@portablepost.com

 

 

 

 

 

 

From: Avid-L2@groups.io <Avid-L2@groups.io> On Behalf Of messymeyer99 via Groups.Io
Sent: Friday, January 17, 2020 11:23 AM
To: Avid-L2@groups.io
Subject: [Avid-L2] OLD project/footage in new software.

 

Hi all,

I've been away from MC for a while and need to play with a sequence from a very old project (MC 5 or 4). I created a new project in the latest version and imported all my old bins and sequences but the sequence and footage files aren't linking. The old footage were omfi files. Is there something that I would need to do to have the project recognize and link back to those old files? Is there a file folder structure that I need to follow? Again, been away for a while and I'm slowly getting reacquainted with the software. Thank you so much for any guidance! 

Michael Meyer

Re: [Avid-L2] Connecting a Thunderbolt 3 Drive enclosure to a USB 3.0 PCIe card?

Greg is correct.  Thunderbolt has to be enabled on the motherboard and a CPU to get TBolt speeds and even just a connection.  You can't just 'upconvert adapt' to it, otherwise tons of adaptors would have come out since 2015.

And a cheap solution to get old MacPro cheesegrators is via a MacMini that has a TBolt port, albeit it may be TBolt 1 or 2, not 3.  

Now, once a unit has TBolt, using a bi-directional "adapter" to go to USB 3, eSata-III, is easily possible.

But you can't build a box/adapter with TBolt to go into any CPU that was not natively built for it.

-keoni tyler
Hollywood





Sent from my MetroPCS 4G LTE Android Device


-------- Original message --------
From: Secret HQ <Greg@SecretHQ.com>
Date: 1/17/20 19:02 (GMT-08:00)
To: Avid-L2@groups.io
Subject: Re: [Avid-L2] Connecting a Thunderbolt 3 Drive enclosure to a USB 3.0 PCIe card?

You can't put thunderbolt into usb.  Mac uses the usb 3.1 connector for thunderbolt 3- I got a bi-directional adapter from Apple that connects thunderbolt 2 to t-bolt 3, but aside from that, I think you're out of luck.

How about a Mac mini and some gigE ??  ;-) 

________________________
Greg Huson
Secret Headquarters, Inc
GK Huson, LLC
Greg (at) SecretHQ.com
www.SecretHQ.com


On Jan 17, 2020, at 18:49, John Moore <bigfish@pacbell.net> wrote:

That looks like the others and it seems that it would connect to a mac with usb C to then connect to a usb 3.0 device.  I need to get from a USB 3.0 A connector on the mac pro and adapt it to connect to a Thunderbolt 3 device.  It seems thunderbolt 3 as the source can be adapted to all kinds of device types including usb 3.0 but going the other way doesn't seem to exist.  In a perfect world I'd plug in a usb 3.0 type A to my mac pro old cheese grater and the other end of the adapter/cable will have a thunderbolt 3 connector.  Of course the bandwidth would be limited to usb 3.0 but then I could connect.  Now I got nothing but going through another computer.


On Fri, Jan 17, 2020 at 05:18 PM, Sol Fischler wrote:
On Friday, January 17, 2020, 06:31:19 PM EST, John Moore <bigfish@pacbell.net> wrote:
 
 
What I need is USB-A to Thunderbolt 3.  Your link is USBC to USB-A.  From the link:
"SuperSpeed Connection: Connects USB-A devices (flash drives, keyboards, mice, hubs) to USB-C devices (new smartphones, tablets, laptops). USB 3.1 Gen 1 (USB 3.0) enables up to 5Gbps SuperSpeed data transfer"

In my case the "Device" is a Thunderbolt 3 Drive enclosure/raid.  If I could take this then convert the USB-C side to Thunderbolt 3 maybe that would work?


On Fri, Jan 17, 2020 at 11:21 AM, Marcel B. wrote:
This is what I use. It works well with everything.

https://tinyurl.com/yxywmr3o


On 17/01/2020 13:24, John Moore wrote:
I've done a bunch of googling and everything seems to talk about taking Thunderbolt 3 to USB C.  What kind of adapter is there to take the standard USB 3.0 Type A connection on the USB 3.0 card in my MacPro mid 2010 upgraded to 12 Core 3.33GHz and connect to a Thunderbolt 3 Drive enclosure.
 
Many of the other bays have trash cans and the connect to these thunderbolt 3 drives with a thunderbolt 3 to thunderbolt 2 adapter.
 
I see if I had thunderbolt 3 on my computer it would connect to all kinds of things but obviously my old macpro doesn't support that.
 
John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net

Re: [Avid-L2] OLD project/footage in new software.

I'd also trash the database files. 

Pat Horridge

From: Avid-L2@groups.io <Avid-L2@groups.io> on behalf of Randall L. Rike via Groups.Io <indypix4u=portablepost.com@groups.io>
Sent: Friday, January 17, 2020 10:36:02 PM
To: Avid-L2@groups.io <Avid-L2@groups.io>
Subject: Re: [Avid-L2] OLD project/footage in new software.
 

The folder name should be "OMFI MediaFiles".  It should be at the root level of the media drive volume.  There cannot be any sub-folders inside of it.  The recommended max file count is 5,000.

 

 

Randall L. Rike, ACI, ACSR

(818) 406-8480 Mobile

indypix4u@portablepost.com

 

 

 

 

 

 

From: Avid-L2@groups.io <Avid-L2@groups.io> On Behalf Of messymeyer99 via Groups.Io
Sent: Friday, January 17, 2020 11:23 AM
To: Avid-L2@groups.io
Subject: [Avid-L2] OLD project/footage in new software.

 

Hi all,

I've been away from MC for a while and need to play with a sequence from a very old project (MC 5 or 4). I created a new project in the latest version and imported all my old bins and sequences but the sequence and footage files aren't linking. The old footage were omfi files. Is there something that I would need to do to have the project recognize and link back to those old files? Is there a file folder structure that I need to follow? Again, been away for a while and I'm slowly getting reacquainted with the software. Thank you so much for any guidance! 

Michael Meyer

Friday, January 17, 2020

Re: [Avid-L2] Connecting a Thunderbolt 3 Drive enclosure to a USB 3.0 PCIe card?

John,

It will not work - at all.

Your only hope is to connect this drive to another computer which has Thunderbolt. Thunderbolt on Mac is a motherboard-only proposition. If your Mac does not have Thunderbolt built in to the motherboard, you do not have Thunderbolt, period.

If the drive supports both Thunderbolt and USB, then you could use a USB adaptor. This might be possible - read the manual on the drive to find out.

On Fri, Jan 17, 2020 at 10:02 PM Secret HQ <Greg@secrethq.com> wrote:
You can't put thunderbolt into usb.  Mac uses the usb 3.1 connector for thunderbolt 3- I got a bi-directional adapter from Apple that connects thunderbolt 2 to t-bolt 3, but aside from that, I think you're out of luck.

How about a Mac mini and some gigE ??  ;-) 

________________________
Greg Huson
Secret Headquarters, Inc
GK Huson, LLC
Greg (at) SecretHQ.com


On Jan 17, 2020, at 18:49, John Moore <bigfish@pacbell.net> wrote:

That looks like the others and it seems that it would connect to a mac with usb C to then connect to a usb 3.0 device.  I need to get from a USB 3.0 A connector on the mac pro and adapt it to connect to a Thunderbolt 3 device.  It seems thunderbolt 3 as the source can be adapted to all kinds of device types including usb 3.0 but going the other way doesn't seem to exist.  In a perfect world I'd plug in a usb 3.0 type A to my mac pro old cheese grater and the other end of the adapter/cable will have a thunderbolt 3 connector.  Of course the bandwidth would be limited to usb 3.0 but then I could connect.  Now I got nothing but going through another computer.


On Fri, Jan 17, 2020 at 05:18 PM, Sol Fischler wrote:
On Friday, January 17, 2020, 06:31:19 PM EST, John Moore <bigfish@pacbell.net> wrote:
 
 
What I need is USB-A to Thunderbolt 3.  Your link is USBC to USB-A.  From the link:
"SuperSpeed Connection: Connects USB-A devices (flash drives, keyboards, mice, hubs) to USB-C devices (new smartphones, tablets, laptops). USB 3.1 Gen 1 (USB 3.0) enables up to 5Gbps SuperSpeed data transfer"

In my case the "Device" is a Thunderbolt 3 Drive enclosure/raid.  If I could take this then convert the USB-C side to Thunderbolt 3 maybe that would work?


On Fri, Jan 17, 2020 at 11:21 AM, Marcel B. wrote:
This is what I use. It works well with everything.

https://tinyurl.com/yxywmr3o


On 17/01/2020 13:24, John Moore wrote:
I've done a bunch of googling and everything seems to talk about taking Thunderbolt 3 to USB C.  What kind of adapter is there to take the standard USB 3.0 Type A connection on the USB 3.0 card in my MacPro mid 2010 upgraded to 12 Core 3.33GHz and connect to a Thunderbolt 3 Drive enclosure.
 
Many of the other bays have trash cans and the connect to these thunderbolt 3 drives with a thunderbolt 3 to thunderbolt 2 adapter.
 
I see if I had thunderbolt 3 on my computer it would connect to all kinds of things but obviously my old macpro doesn't support that.
 
John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net

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Re: [Avid-L2] Sequence names in two different fonts sizes.

Well before you do all that, just make a new user with everything at default and see if it works.  


On Fri, Jan 17, 2020 at 7:42 PM Secret HQ <Greg@secrethq.com> wrote:
yeah.  You KNOW that will work.

So, to fix one little quirk between .11 and .12, I have to manually re-enterall my keyboard settings, plus try to remember all the weird little things I've moved or mapped, plus re-set up all my work spaces.

Wheee….

gh
----------------------------------------------------
Greg Huson
GK Huson, LLC
Secret Headquarters, Inc
Santa Monica, CA
www.SecretHQ.com   

On Jan 16, 2020, at 9:57 AM, pale.edit@gmail.com wrote:


Just as an experiment, create a new user and see if the problem persists as the new user.

On Thu, Jan 16, 2020 at 12:42 PM Secret HQ <Greg@secrethq.com> wrote:
Switched from 2019.11 to 2019.12 without making new user settings - now sequence names above the timeline side of the monitor are mix-sized-fonts.  That is, the WORDS are normal, like 12 point or whatever, but the numbers and TEENIE TINY!  Never seen this before and can't find where to reset it.  

I tried google and RTFM, but unable to locate this specific issue.

GH
----------------------------------------------------
Greg Huson
GK Huson, LLC
Secret Headquarters, Inc
Santa Monica, CA
www.SecretHQ.com   




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Re: [Avid-L2] Connecting a Thunderbolt 3 Drive enclosure to a USB 3.0 PCIe card?

You can't put thunderbolt into usb.  Mac uses the usb 3.1 connector for thunderbolt 3- I got a bi-directional adapter from Apple that connects thunderbolt 2 to t-bolt 3, but aside from that, I think you're out of luck.

How about a Mac mini and some gigE ??  ;-) 

________________________
Greg Huson
Secret Headquarters, Inc
GK Huson, LLC
Greg (at) SecretHQ.com
www.SecretHQ.com


On Jan 17, 2020, at 18:49, John Moore <bigfish@pacbell.net> wrote:

That looks like the others and it seems that it would connect to a mac with usb C to then connect to a usb 3.0 device.  I need to get from a USB 3.0 A connector on the mac pro and adapt it to connect to a Thunderbolt 3 device.  It seems thunderbolt 3 as the source can be adapted to all kinds of device types including usb 3.0 but going the other way doesn't seem to exist.  In a perfect world I'd plug in a usb 3.0 type A to my mac pro old cheese grater and the other end of the adapter/cable will have a thunderbolt 3 connector.  Of course the bandwidth would be limited to usb 3.0 but then I could connect.  Now I got nothing but going through another computer.


On Fri, Jan 17, 2020 at 05:18 PM, Sol Fischler wrote:
On Friday, January 17, 2020, 06:31:19 PM EST, John Moore <bigfish@pacbell.net> wrote:
 
 
What I need is USB-A to Thunderbolt 3.  Your link is USBC to USB-A.  From the link:
"SuperSpeed Connection: Connects USB-A devices (flash drives, keyboards, mice, hubs) to USB-C devices (new smartphones, tablets, laptops). USB 3.1 Gen 1 (USB 3.0) enables up to 5Gbps SuperSpeed data transfer"

In my case the "Device" is a Thunderbolt 3 Drive enclosure/raid.  If I could take this then convert the USB-C side to Thunderbolt 3 maybe that would work?


On Fri, Jan 17, 2020 at 11:21 AM, Marcel B. wrote:
This is what I use. It works well with everything.

https://tinyurl.com/yxywmr3o


On 17/01/2020 13:24, John Moore wrote:
I've done a bunch of googling and everything seems to talk about taking Thunderbolt 3 to USB C.  What kind of adapter is there to take the standard USB 3.0 Type A connection on the USB 3.0 card in my MacPro mid 2010 upgraded to 12 Core 3.33GHz and connect to a Thunderbolt 3 Drive enclosure.
 
Many of the other bays have trash cans and the connect to these thunderbolt 3 drives with a thunderbolt 3 to thunderbolt 2 adapter.
 
I see if I had thunderbolt 3 on my computer it would connect to all kinds of things but obviously my old macpro doesn't support that.
 
John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net

Re: [Avid-L2] Connecting a Thunderbolt 3 Drive enclosure to a USB 3.0 PCIe card?

That looks like the others and it seems that it would connect to a mac with usb C to then connect to a usb 3.0 device.  I need to get from a USB 3.0 A connector on the mac pro and adapt it to connect to a Thunderbolt 3 device.  It seems thunderbolt 3 as the source can be adapted to all kinds of device types including usb 3.0 but going the other way doesn't seem to exist.  In a perfect world I'd plug in a usb 3.0 type A to my mac pro old cheese grater and the other end of the adapter/cable will have a thunderbolt 3 connector.  Of course the bandwidth would be limited to usb 3.0 but then I could connect.  Now I got nothing but going through another computer.


On Fri, Jan 17, 2020 at 05:18 PM, Sol Fischler wrote:
On Friday, January 17, 2020, 06:31:19 PM EST, John Moore <bigfish@pacbell.net> wrote:
 
 
What I need is USB-A to Thunderbolt 3.  Your link is USBC to USB-A.  From the link:
"SuperSpeed Connection: Connects USB-A devices (flash drives, keyboards, mice, hubs) to USB-C devices (new smartphones, tablets, laptops). USB 3.1 Gen 1 (USB 3.0) enables up to 5Gbps SuperSpeed data transfer"

In my case the "Device" is a Thunderbolt 3 Drive enclosure/raid.  If I could take this then convert the USB-C side to Thunderbolt 3 maybe that would work?


On Fri, Jan 17, 2020 at 11:21 AM, Marcel B. wrote:
This is what I use. It works well with everything.

https://tinyurl.com/yxywmr3o


On 17/01/2020 13:24, John Moore wrote:
I've done a bunch of googling and everything seems to talk about taking Thunderbolt 3 to USB C.  What kind of adapter is there to take the standard USB 3.0 Type A connection on the USB 3.0 card in my MacPro mid 2010 upgraded to 12 Core 3.33GHz and connect to a Thunderbolt 3 Drive enclosure.
 
Many of the other bays have trash cans and the connect to these thunderbolt 3 drives with a thunderbolt 3 to thunderbolt 2 adapter.
 
I see if I had thunderbolt 3 on my computer it would connect to all kinds of things but obviously my old macpro doesn't support that.
 
John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net
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Re: [Avid-L2] Connecting a Thunderbolt 3 Drive enclosure to a USB 3.0 PCIe card?

That adapter is strictly USB protocol, from USB-C to USB-A. It will not allow you to interface with a thunderbolt device. I think the biggest confusion you are having which many people come across, is that USB-C and thunderbolt 3 have the same connector type but they are both two entirely different protocols for transferring information.  

If your ex ternal Drive is a USB-C device then that adapter will work just fine to transfer to the USB-A port on your Mac Pro tower. 
If your drive is truly a thunderbolt 3 device then I'm afraid there's no chance it will ever interface with a USB-A or USB-C protocol because they are two entirely different formats, even if the connector for thunderbolt three and USB-C looks the same. Thunderbolt three is it's own thing which also happens to have USB see functionality added into it as a bonus so to speak. But USBC or USBA are not capable of communicating via the thunderbolt protocol. 

I hope this makes sense. Unfortunately confuses a lot of people and for good reason, I mean the connector is identical. It's like thunderbolt 2 and mini display port. Same connector but mini display port does not actually transfer using the thunderbolt protocol, but Thunderbolt 2 has mini display port functionality added as a sweet bonus. 

-Kelby 

Kelby Thwaits
Director
Sunset Gower Studios
1438 N Gower Street, Box 75



(Creative typos courtesy of my iPhone)

On Jan 17, 2020, at 5:18 PM, Sol Fischler via Groups.Io <sol.fischler=yahoo.com@groups.io> wrote:


On Friday, January 17, 2020, 06:31:19 PM EST, John Moore <bigfish@pacbell.net> wrote:


What I need is USB-A to Thunderbolt 3.  Your link is USBC to USB-A.  From the link:
"SuperSpeed Connection: Connects USB-A devices (flash drives, keyboards, mice, hubs) to USB-C devices (new smartphones, tablets, laptops). USB 3.1 Gen 1 (USB 3.0) enables up to 5Gbps SuperSpeed data transfer"

In my case the "Device" is a Thunderbolt 3 Drive enclosure/raid.  If I could take this then convert the USB-C side to Thunderbolt 3 maybe that would work?


On Fri, Jan 17, 2020 at 11:21 AM, Marcel B. wrote:
This is what I use. It works well with everything.

https://tinyurl.com/yxywmr3o


On 17/01/2020 13:24, John Moore wrote:
I've done a bunch of googling and everything seems to talk about taking Thunderbolt 3 to USB C.  What kind of adapter is there to take the standard USB 3.0 Type A connection on the USB 3.0 card in my MacPro mid 2010 upgraded to 12 Core 3.33GHz and connect to a Thunderbolt 3 Drive enclosure.
 
Many of the other bays have trash cans and the connect to these thunderbolt 3 drives with a thunderbolt 3 to thunderbolt 2 adapter.
 
I see if I had thunderbolt 3 on my computer it would connect to all kinds of things but obviously my old macpro doesn't support that.
 
John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net