Wednesday, February 15, 2017

[Avid-L2] OT: Invalidated Mac OS Installers

 

This is for all you folks that keep old Mac OS installers around on USB
sticks etc. -

Yesterday I tried to install an older OS onto a laptop. No matter which
version I tried, the installer quit, saying it couldn't be validated.

It turns out that back in 2016 Apple updated the certificate for
installers so that those downloaded before Feb 14 2016 no longer work.

The very easy workaround is a terminal command using the utilities on
the installer to fool the computer into believing it is back in 2016
before the change.

Details can be found here:

https://www.macrumors.com/2016/03/03/older-os-x-installers-broken-by-certificate/

D.

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Posted by: Dan McCabe <danlist@bestmail.us>
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Tuesday, February 14, 2017

Re: [Avid-L2] TC window in MC 8.6.5

 



In the menu (click on the TC window to get it), 
change the font size and the whole window will enlarge.

Cheers,

-B
-----
 Benjamin Hershleder
.

On Feb 14, 2017, at 2:06 PM, Lou Wirth loutv@mindspring.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:

Is there a trick to getting the TC window enlarged in MC 8.6.5. I open it and when I expand the box, the TC counter window over black stays small and the window just gets bigger.

Im working on a clean install of MC with all new settings so everything is default.

thanks 
Lou
Lou Wirth Productions
500Tamal Plaza, Suite 522
Corte Madera, CA 94925
www.louwirth.com
415-924-9411p


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Posted by: Benjamin Hershleder <ben@contactben.com>
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Have you tried the highest rated email app?
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Re: [Avid-L2] TC window in MC 8.6.5

 

Right click to select font size.


Dom Q. Silverio

On Tue, Feb 14, 2017 at 5:06 PM, Lou Wirth loutv@mindspring.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
Is there a trick to getting the TC window enlarged in MC 8.6.5.   I open it and when I expand the box, the TC counter window over black stays small and the window just gets bigger.

Im working on a clean install of MC with all new settings so everything is default.

thanks
Lou
Lou Wirth Productions
500Tamal Plaza, Suite 522
Corte Madera, CA 94925
www.louwirth.com
415-924-9411p










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Posted by: Lou Wirth <loutv@mindspring.com>
------------------------------------

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Posted by: "Dom Q. Silverio" <domqsilverio@gmail.com>
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Have you tried the highest rated email app?
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[Avid-L2] TC window in MC 8.6.5

 

Is there a trick to getting the TC window enlarged in MC 8.6.5. I open it and when I expand the box, the TC counter window over black stays small and the window just gets bigger.

Im working on a clean install of MC with all new settings so everything is default.

thanks
Lou
Lou Wirth Productions
500Tamal Plaza, Suite 522
Corte Madera, CA 94925
www.louwirth.com
415-924-9411p

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Posted by: Lou Wirth <loutv@mindspring.com>
Reply via web post Reply to sender Reply to group Start a New Topic Messages in this topic (1)

Have you tried the highest rated email app?
With 4.5 stars in iTunes, the Yahoo Mail app is the highest rated email app on the market. What are you waiting for? Now you can access all your inboxes (Gmail, Outlook, AOL and more) in one place. Never delete an email again with 1000GB of free cloud storage.

this is the Avid-L2

.

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Re: [Avid-L2] UK shoot 25Fps vs. 23.98?

 

Not a UK member - but not uncommon to get footage shot at 25 when shot overseas, even though final is for broadcast in US. Reason was light flicker as mentioned earlier.

Handled all rough cut @ 25 - then dealt w/ conversion during finish in flame.

Jeff

------------------
Jeff Hedberg

Director of Operations
Union Editorial
575 Broadway,6th floor
New York, NY 10012

On Feb 13, 2017, at 6:27 PM, Greg Huson Greg@SecretHQ.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:


You can slow it down, audio and all, 1:1, or they can speed it up.  If it's doc footage with practical lights, shoot 25.  Less likely to flicker- at least back in the SD days.  Any of our U.K. members care to comment on flicker?

________________________
Greg Huson
Secret Headquarters, Inc
Greg (at) SecretHQ.com

On Feb 13, 2017, at 15:22, John Moore bigfish@pacbell.net [Avid-L2] <Avid-L2@yahoogroups.com> wrote:

 

I will be working on a show that is having some material shot in the UK.  The UK folks will also be using the material locally so they want to shoot 25Fps.

I would prefer they shoot 23.976 so I can integrate it painlessly into my 59.94I broadcast show in the US.

Am I wrong to tell them they should shoot in 23.976 and convert to 25 for their needs?  I would think the slight speed up would be much less problematic than me having to take 25Fps back into a 23.976 or 59.94 project in Avid.  25Fps into 59.94 would seem to be asking for frame jumps/skips and 25Fps to 23.976 is going to have to drop a frame every second which would also be steppy.  Perhaps not as bad 29.97i back to 23.976P but still I would think it would be jumpy.

If they do shoot 25 depending on the material is it okay to let Avid add motion adapters after capturing in a 25Fps project?  Or should we plan on converting the material before bringing it into Avid?  I assume they will be shooting 25P which I think will be less problematic than interlace material.

Any suggestions welcome but I really think the UK folks should shoot 23.976.  Would that frame rate cause them undo issues with light flicker?  TIA
 
John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net



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Posted by: Jeff Hedberg <jeff@unioneditorial.com>
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Have you tried the highest rated email app?
With 4.5 stars in iTunes, the Yahoo Mail app is the highest rated email app on the market. What are you waiting for? Now you can access all your inboxes (Gmail, Outlook, AOL and more) in one place. Never delete an email again with 1000GB of free cloud storage.

this is the Avid-L2

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Re: [Avid-L2] Re: QC Flipped Me Off!! Uh QC said my Flip Is OFF!!!

 



Meanwhile I've had a look at the images too.
The original is fine.
 
When I apply a 180 degrees Z rotation in FrameFlex,
the image gets 2 pixels shifted to the top and right. No scaling is applied, it's just shifted by two pixels.
(Or even 3 when I set it to Pillar / Letterbox)
 
Removing FrameFlex and adding a classic Flip-Flop from the Effects does give the expected result.
 
IOW, remove Frameflex in the bin, refresh sequence and add Flip-Flop, problem solved...
 
hth,
 
 
Bouke
 
VideoToolShed
van Oldenbarneveltstraat 33
6512 AS  NIJMEGEN, the Netherlands
if you want to send me big files, use this:
www.videotoolshed.wetransfer.com
----- Original Message -----
Sent: Tuesday, February 14, 2017 4:30 AM
Subject: [Avid-L2] Re: QC Flipped Me Off!! Uh QC said my Flip Is OFF!!!

 

Upon further investigation if I export a still of the flipped and the unflipped shot and then make them layers in Photoshop I can clearly see the black edge on the left and right when I put the flipped shot on the top layer and vary opacity and zoom in on the left side or bottom.

Not the question is does this indicate a broke in Frame Flex Rotation or is it an indication that active video line ends early relative to the SAV.  Perhaps the camera might have an issue but I think it's the flipping that causes the discrepancy. 

Tomorrow I will do the same stills export with a different camera to see if it behaves the same way.  If it does then it points to the flipping in frame flex.  This is Panasonic 4096x2160 material shot AVC Intra 4:2:2 YUV.



---In Avid-L2@yahoogroups.com, <bigfish@...> wrote :

On two of my recent 4K shows QC has flagged Framing Errors at the left and bottom of the screen.  I was thinking there was one bad camera but I realized today the shots being flagged were on a jib and the camera was mounted upside down.  The shots have been flipped 180 degrees in Frame Flex.  Unflipping the shots and the left and bottom show no framing error. 

The issue is really small like a line or two at most on the bottom and even slighter on the left.  I don't really think its a viable issue but blowing the shot up 1 Pt makes the edges match.  I think the only reason QC flagged it is the comparison between un flipped shots and the flipped ones.  At the cut point you can just make out the slight change.  These images are 4096x2160 so they appear as letter boxed on my 4K OLED LG panel.

In the old days I would call it a slight difference in horizontal and vertical blanking where there is a bit more blanking at the end of the scan line but now with SAV and EAV shouldn't everything just flip perfectly.  This is really a small difference but QC has flagged it on two shows.

I've set my LG OLED panel to the "Just Scan" setting that shows more picture.  I would call it underscan mode but this is a consumer monitor so I'm wondering if the "Just Scan" might be one of those modes that keeps the center of the picture normal but stretches out the edges.  I've seen Married with Children SD reruns that have been scaled that way. The picture doesn't seem to be distorted like that so I think the setting is just showing the edges of the frame.

The bottom line is why is the end of the active line to EAV different from the SAV to beginning of Active line and the loss of a line or two in 4K at the bottom of the screen points to a lack of symmetry in the vertical blanking area.  I'll have to look at how the top of active video can be different than the bottom of active video.

Am I wrong to thing the 180 degree flip should be perfect and undetectable without a blow up?
 
John Moore Barking Trout Productions Studio City, CA bigfish@...




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Posted by: "Edit B" <bouke@editb.nl>
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Have you tried the highest rated email app?
With 4.5 stars in iTunes, the Yahoo Mail app is the highest rated email app on the market. What are you waiting for? Now you can access all your inboxes (Gmail, Outlook, AOL and more) in one place. Never delete an email again with 1000GB of free cloud storage.

this is the Avid-L2

.

__,_._,___

Monday, February 13, 2017

[Avid-L2] Re: QC Flipped Me Off!! Uh QC said my Flip Is OFF!!!

 

Upon further investigation if I export a still of the flipped and the unflipped shot and then make them layers in Photoshop I can clearly see the black edge on the left and right when I put the flipped shot on the top layer and vary opacity and zoom in on the left side or bottom.

Not the question is does this indicate a broke in Frame Flex Rotation or is it an indication that active video line ends early relative to the SAV.  Perhaps the camera might have an issue but I think it's the flipping that causes the discrepancy. 

Tomorrow I will do the same stills export with a different camera to see if it behaves the same way.  If it does then it points to the flipping in frame flex.  This is Panasonic 4096x2160 material shot AVC Intra 4:2:2 YUV.



---In Avid-L2@yahoogroups.com, <bigfish@...> wrote :

On two of my recent 4K shows QC has flagged Framing Errors at the left and bottom of the screen.  I was thinking there was one bad camera but I realized today the shots being flagged were on a jib and the camera was mounted upside down.  The shots have been flipped 180 degrees in Frame Flex.  Unflipping the shots and the left and bottom show no framing error. 

The issue is really small like a line or two at most on the bottom and even slighter on the left.  I don't really think its a viable issue but blowing the shot up 1 Pt makes the edges match.  I think the only reason QC flagged it is the comparison between un flipped shots and the flipped ones.  At the cut point you can just make out the slight change.  These images are 4096x2160 so they appear as letter boxed on my 4K OLED LG panel.

In the old days I would call it a slight difference in horizontal and vertical blanking where there is a bit more blanking at the end of the scan line but now with SAV and EAV shouldn't everything just flip perfectly.  This is really a small difference but QC has flagged it on two shows.

I've set my LG OLED panel to the "Just Scan" setting that shows more picture.  I would call it underscan mode but this is a consumer monitor so I'm wondering if the "Just Scan" might be one of those modes that keeps the center of the picture normal but stretches out the edges.  I've seen Married with Children SD reruns that have been scaled that way. The picture doesn't seem to be distorted like that so I think the setting is just showing the edges of the frame.

The bottom line is why is the end of the active line to EAV different from the SAV to beginning of Active line and the loss of a line or two in 4K at the bottom of the screen points to a lack of symmetry in the vertical blanking area.  I'll have to look at how the top of active video can be different than the bottom of active video.

Am I wrong to thing the 180 degree flip should be perfect and undetectable without a blow up?
 
John Moore Barking Trout Productions Studio City, CA bigfish@...

__._,_.___

Posted by: bigfish@pacbell.net
Reply via web post Reply to sender Reply to group Start a New Topic Messages in this topic (2)

Have you tried the highest rated email app?
With 4.5 stars in iTunes, the Yahoo Mail app is the highest rated email app on the market. What are you waiting for? Now you can access all your inboxes (Gmail, Outlook, AOL and more) in one place. Never delete an email again with 1000GB of free cloud storage.

this is the Avid-L2

.

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Re: [Avid-L2] DNxIO not locking to External Sync with Avid 8.5.3?

 

The sync comes into the bay and goes to the 7020 and is looped now into my newly added DNxIO.  I have confirmation on the Tek 7020 of the sync signal registering properly.  I also have an old analogue 1750 just to look at the signal and it is fine in shape and voltage without excessive jitter.

When I'm running the Nitris DX in this bay I have not problem locking the scope and the Avid to external sync and seeing it lock without any drift on the 7020 scope.  Now using the DNxIO I can't get the signal to lock when setting the scope to external sync. 

When I go to the BM Video Desktop control panal/driver interface I don't see anything under the BNC Reference Icon.  I'm assuming the dashed lines under the BNC Icon for Reference would display the presence and perhaps type of sync coming into the DNxIO like it does with the other icons for video output.  The outputs display 1080P or 2160P under their icons depending on if I have the Avid Hardware setting to 1920x1080 or 3840x2160. 

In the output section the far right "Composite Icon has just a dash over the word composite.  In the section to the right labeled "Ref Input" there is a BNC icon with a light grey dash below it and another darker grey dash below that.  I would think that would read out where the top dash is what type of sync it detects on the input.  Also given the output displays as unlocked on the scope I think something is whacky.  I am very confident the sync signal is properly patched to the DNxIO ref input.  I feel this because when I pull the connector off I can see the trilevel sync jump to double level indicating the line is unterminated.  Plugging the cable back in and the level goes back to normal as displayed on the scope.

Unfortunately this is my DNxIO from my home system so I can't go try this at home at this point.  I can't recall if I've even used the external sync on my home system when running the DNxIO.



---In Avid-L2@yahoogroups.com, <bogdan_grigorescu@...> wrote :

Not clear from your description how things are connected on the sync side:

gen10>7020>DNxio or gen10>DNxio>7020 ?

BG
www.finale.tv



From: "John Moore bigfish@... [Avid-L2]" <Avid-L2@yahoogroups.com>
To: Yahoogroups <avid-l2@yahoogroups.com>; Yahoogroups <editing-list@yahoogroups.com>
Sent: Monday, February 13, 2017 3:54 PM
Subject: [Avid-L2] DNxIO not locking to External Sync with Avid 8.5.3?

 
I have a 4K 4096x2160 Avid project.  I've added a DNxIO to the mac based SNDX system with the newer HIB card.  Everything is basically working but I noticed that I can't seem to lock the output to house sync.  I'm feeding my Tek 7020 with house sync from a Gen 10 unit.  I've tried both 23.976 Psf and 23.976P.  The Tek scope registers the external sync source correctly and I even have the signal running through an old Tek 1750 scope just to monitor the levels and make sure things are terminated properly.  I can see proper level tri level but when I loop the sync signal to the DNxIO Ref in the output from the avid doesn't lock when I set my Tek scope to external sync. 

This works with the Nitris DX in the past. 

When I open video output settings and click more I get the Video Desktop preference box.  I don't see anything listed under the bnc Ref icon.  The other connector icons say 2160P etc...  I'm assuming the video desktop preference box works similar to an AJA control panal and I would expect that the missing lines of text under the Ref bnc Icon would display the type of sync the unit is receiveing.  Is that how they work.  I haven't had a chance to try anything but 23.976P and 23.976Psf Trilevel but those should work as far as I know.

Is there a bug with Avid and DNxIO regarding reference locking?  I'm running the Avid supplied Video Desktop drive 10.7.
 
John Moore Barking Trout Productions Studio City, CA bigfish@...


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Posted by: bigfish@pacbell.net
Reply via web post Reply to sender Reply to group Start a New Topic Messages in this topic (3)

Have you tried the highest rated email app?
With 4.5 stars in iTunes, the Yahoo Mail app is the highest rated email app on the market. What are you waiting for? Now you can access all your inboxes (Gmail, Outlook, AOL and more) in one place. Never delete an email again with 1000GB of free cloud storage.

this is the Avid-L2

.

__,_._,___

Re: [Avid-L2] UK shoot 25Fps vs. 23.98?

 

I'd say convenience related to genlock sources, on set monitoring and especially light flicker consideration should tip the scale towards a 25FPS shoot. You'll have to slowdown to 23.98FPS frame for frame for video, with separate audio timewarp and pitch correction for audio.

BG,
www.finale.tv



From: "John Moore bigfish@pacbell.net [Avid-L2]" <Avid-L2@yahoogroups.com>
To: Yahoogroups <avid-l2@yahoogroups.com>; Yahoogroups <editing-list@yahoogroups.com>
Sent: Monday, February 13, 2017 2:22 PM
Subject: [Avid-L2] UK shoot 25Fps vs. 23.98?

 
I will be working on a show that is having some material shot in the UK.  The UK folks will also be using the material locally so they want to shoot 25Fps.

I would prefer they shoot 23.976 so I can integrate it painlessly into my 59.94I broadcast show in the US.

Am I wrong to tell them they should shoot in 23.976 and convert to 25 for their needs?  I would think the slight speed up would be much less problematic than me having to take 25Fps back into a 23.976 or 59.94 project in Avid.  25Fps into 59.94 would seem to be asking for frame jumps/skips and 25Fps to 23.976 is going to have to drop a frame every second which would also be steppy.  Perhaps not as bad 29.97i back to 23.976P but still I would think it would be jumpy.

If they do shoot 25 depending on the material is it okay to let Avid add motion adapters after capturing in a 25Fps project?  Or should we plan on converting the material before bringing it into Avid?  I assume they will be shooting 25P which I think will be less problematic than interlace material.

Any suggestions welcome but I really think the UK folks should shoot 23.976.  Would that frame rate cause them undo issues with light flicker?  TIA
 
John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net


__._,_.___

Posted by: Bogdan Grigorescu <bogdan_grigorescu@yahoo.com>
Reply via web post Reply to sender Reply to group Start a New Topic Messages in this topic (9)

Have you tried the highest rated email app?
With 4.5 stars in iTunes, the Yahoo Mail app is the highest rated email app on the market. What are you waiting for? Now you can access all your inboxes (Gmail, Outlook, AOL and more) in one place. Never delete an email again with 1000GB of free cloud storage.

this is the Avid-L2

.

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