I'd say convenience related to genlock sources, on set monitoring and especially light flicker consideration should tip the scale towards a 25FPS shoot. You'll have to slowdown to 23.98FPS frame for frame for video, with separate audio timewarp and pitch correction for audio.
BG,
www.finale.tv
From: "John Moore bigfish@pacbell.net [Avid-L2]" <Avid-L2@yahoogroups.com>
To: Yahoogroups <avid-l2@yahoogroups.com>; Yahoogroups <editing-list@yahoogroups.com>
Sent: Monday, February 13, 2017 2:22 PM
Subject: [Avid-L2] UK shoot 25Fps vs. 23.98?
I will be working on a show that is having some material shot in the UK. The UK folks will also be using the material locally so they want to shoot 25Fps.
I would prefer they shoot 23.976 so I can integrate it painlessly into my 59.94I broadcast show in the US.
Am I wrong to tell them they should shoot in 23.976 and convert to 25 for their needs? I would think the slight speed up would be much less problematic than me having to take 25Fps back into a 23.976 or 59.94 project in Avid. 25Fps into 59.94 would seem to be asking for frame jumps/skips and 25Fps to 23.976 is going to have to drop a frame every second which would also be steppy. Perhaps not as bad 29.97i back to 23.976P but still I would think it would be jumpy.
If they do shoot 25 depending on the material is it okay to let Avid add motion adapters after capturing in a 25Fps project? Or should we plan on converting the material before bringing it into Avid? I assume they will be shooting 25P which I think will be less problematic than interlace material.
Any suggestions welcome but I really think the UK folks should shoot 23.976. Would that frame rate cause them undo issues with light flicker? TIA
John Moore Barking Trout Productions Studio City, CA bigfish@pacbell.net
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Posted by: Bogdan Grigorescu <bogdan_grigorescu@yahoo.com>
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