Sunday, October 21, 2012

Re: [Avid-L2] CS 5.5 with Symphonie

 

7

________________________
Greg Huson
Secret Headquarters, Inc
Greg (at) SecretHQ.com
www.SecretHQ.com
DigitalServicsStation.com

On Oct 21, 2012, at 12:19 PM, Marcel Brassard <correctype@yahoo.ca> wrote:

> Greg,
>
> Is it FCP 7 or 10?
>
> M
>
> On 21/10/2012, at 2:34 PM, Greg Huson wrote:
>
> > I have that plus resolve and FCP all on the same nehalem 8-core. Obviously it has and expansion chassis. Clone your system drive first if you're worried. In fact, clone it to an SSD- and swap. Really improves boot and startup times. If you have nitris and bmd deck link in the same CPU, you have to delete the open I/o plug-in, otherwise no problems.
> >
> > ________________________
> > Greg Huson
> > Secret Headquarters, Inc
> > Greg (at) SecretHQ.com
> > www.SecretHQ.com
> > DigitalServicsStation.com
>
>

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[Avid-L2] Re: Has Anyone Daisy Chained Two Apple LED Monitors Using Their Thunderbolt Ports?

 

Hey Jeff,
I just order one of the usb to dvi adapters for my MBP to drive a 2nd external monitor. I am now using my laptop screen and the display port connection to a 2nd monitor 1920x1080. I plan to use the usb adapter to drive an identical 1920x1080 external monitor for a standard two monitor setup. Once I close the lid I will be mindful of potential cooling issues but do you or anyone know how this usb to dvi adapter will show up in the monitor preferences etc... Looks like the unit is in somewhat short supply right now as both newegg and amazon had none I found it on Ebay. Looking forward to seeing how it works. Does anyone know if I'm asking for trouble using this adapter, (eVGA UV Plus+ 19 USB VGA Display Adapter 100-U2-UV19-TR DVI Interface), while feeding a 2nd external by the mini display port? Also I have an Avid KB Cover on the keyboard to have the Avid icons. Something tells me I should take this off if I'm going to run with the lid closed as it seems like it might hold in some of the heat that the keyboard would normally help disperse. Perhaps this is insignificant when the lid is closed but I'm curious what others think.

--- In Avid-L2@yahoogroups.com, Jeff Hedberg <jeff@...> wrote:
>
> Hi David,
>
> That's the part about color not being accurate.
> The computer and Media Composer still consider the HDMI a third display - then we went in to the Avid's settings for full screen and located it on to the HDMI monitor.
>
> Like I said, I was pleasantly surprised that the laptop drove all three screens so well.
>
> Jeff
>
> ------------------
> Jeff Hedberg
> Union Editorial
> 575 Broadway
> 6th floor
> New York, NY 10012
>
>
>
> On Jul 10, 2012, at 12:30 PM, David Dodson wrote:
>
> >
> > Hi, Jeff,
> >
> > A follow-up question... How do you force the Thunderbolt/MDP to have client monitor output? That is, it's not merely another computer screen, but is rather the video output from the Source and Record monitors at 1080.
> >
> > Thanks,
> >
> > DD
> >
> >
> > On Jul 9, 2012, at 12:45 PM, Jeff Hedberg wrote:
> >
> > > I want to brag a little bit here about a setup I put together that ended up working really well.
> > > We limited the Thunderbolt port to storage and an HDMI converter only.
> > >
> > > Then, in order to get 2 big (DVI) editing screens I put two of these on the USB ports.
> > > http://www.newegg.com/Product/Product.aspx?Item=N82E16815101006
> > >
> > > I was worried that the screens might not want to keep up given that they were over USB - however, this setup worked GREAT.
> > > We closed the laptop's lid, and put on an external keyboard and mouse - and it was a similar experience to running off the towers.
> > > (you'll want a USB hub if you use a dongle)
> > >
> > > With just a laptop and thunderbolt storage we were able to walk in on set and have a real nice editing experience. (including Plasma monitoring for client)
> > > (the plasma wasn't color accurate - but this was an acceptable solution in this case)
> > >
> > >
> > > Jeff
> > >
> > > ------------------
> > > Jeff Hedberg
> > > Union Editorial
> > > 575 Broadway
> > > 6th floor
> > > New York, NY 10012
> > >
> > >
> > >
> > > On Jul 6, 2012, at 8:35 PM, David Dodson wrote:
> > >
> > >>
> > >> As I asked in the Subject line, has anyone hooked up a two-monitor configuration coming out of their MacBook Pro (or MacPro, I suppose) using the single Thunderbolt port and then somehow daisy-chaining a second monitor off of the first?
> > >>
> > >> I ask because I'm trying to understand if it's possible to do this, thereby eliminating the need for a Mojo DX which would take up the Express34 slot on my 17" MBP with the PCIe card, which I would rather use for an eSATA card.
> > >>
> > >> Thanks,
> > >>
> > >> DD
> > >>
> > >>>
> > >>
> > >> David Dodson
> > >> davidadodson@...
> > >>
> > >> [Non-text portions of this message have been removed]
> > >>
> > >>
> > >
> > >
> > >
> > > [Non-text portions of this message have been removed]
> > >
> > >
> > >
> > > ------------------------------------
> > >
> > > Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
> > > Yahoo! Groups Links
> > >
> > >
> > >
> >
> > David Dodson
> > davidadodson@...
> >
> >
>
>
>
> [Non-text portions of this message have been removed]
>

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Re: [Avid-L2] CS 5.5 with Symphonie

 

Greg,

Is it FCP 7 or 10?

M

On 21/10/2012, at 2:34 PM, Greg Huson wrote:

> I have that plus resolve and FCP all on the same nehalem 8-core. Obviously it has and expansion chassis. Clone your system drive first if you're worried. In fact, clone it to an SSD- and swap. Really improves boot and startup times. If you have nitris and bmd deck link in the same CPU, you have to delete the open I/o plug-in, otherwise no problems.
>
> ________________________
> Greg Huson
> Secret Headquarters, Inc
> Greg (at) SecretHQ.com
> www.SecretHQ.com
> DigitalServicsStation.com

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Re: [Avid-L2] CS 5.5 with Symphonie

 

Thanks to all of you.

Marcel

On 21/10/2012, at 2:34 PM, Greg Huson wrote:

> I have that plus resolve and FCP all on the same nehalem 8-core. Obviously it has and expansion chassis. Clone your system drive first if you're worried. In fact, clone it to an SSD- and swap. Really improves boot and startup times. If you have nitris and bmd deck link in the same CPU, you have to delete the open I/o plug-in, otherwise no problems.
>
> ________________________
> Greg Huson
> Secret Headquarters, Inc
> Greg (at) SecretHQ.com
> www.SecretHQ.com
> DigitalServicsStation.com
>
> On Oct 21, 2012, at 10:42 AM, Marcel Brassard <correctype@yahoo.ca> wrote:
>
>> Hey,
>>
>> I'm on a MacPro 12 core, 32 GB running 10.7.3.
>>
>> Before I go ahead and install the full CS 5.5 on the same drive I run Symphonie 6.0.3, I'd like to know if anyone here have had negative experiences with that combination?
>>
>> Thanks,
>>
>> Marcel
>>
>>
>
>
> [Non-text portions of this message have been removed]
>
>
>
> ------------------------------------
>
> Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
> Yahoo! Groups Links
>
>
>

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Re: [Avid-L2] CS 5.5 with Symphonie

 

None for me.two systems, one Mac one PC

Marcel Brassard <correctype@yahoo.ca> wrote:

>Hey,
>
>I'm on a MacPro 12 core, 32 GB running 10.7.3.
>
>Before I go ahead and install the full CS 5.5 on the same drive I run
>Symphonie 6.0.3, I'd like to know if anyone here have had negative
>experiences with that combination?
>
>Thanks,
>
>Marcel
>
>
>
>
>------------------------------------
>
>Search the official Complete Avid-L archives at:
>http://archives.bengrosser.com/avid/
>Yahoo! Groups Links
>
>
>
--
Sent from my Android phone with K-9 Mail. Please excuse my brevity.

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Re: [Avid-L2] EBU R 128 / Calm act, HIGHLY COMMERCIAL

 

Awwwww, Bouke... I'm touched you remembered me.

And the tool looks damned interesting!

Best
Shirley

-----Original Message-----
From: bouke <bouke@editb.nl>
To: Avid-L2 <Avid-L2@yahoogroups.com>
Sent: Sun, Oct 21, 2012 8:54 am
Subject: [Avid-L2] EBU R 128 / Calm act, HIGHLY COMMERCIAL

Guys (and Shirley),

If you need to deliver to the new sound specs, this might be of help:

http://www.videotoolshed.com/product/68/loudnesschange

In short, it can analyze a mixdown (as a wave file), see potential trouble
(short / momentary peaks) so you can fix them,
and render the file to a new file while upping / lowering the mix to get to
your desired LUFS.

And it's blazing fast....

Bouke

VideoToolShed
van Oldenbarneveltstraat 33
6512 AS NIJMEGEN
The Netherlands
+31 24 3553311
www.videotoolshed.com

------------------------------------

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Re: [Avid-L2] Re: EBU R 128 / Calm act, HIGHLY COMMERCIAL

 

Terry,

Yes, but the idea is not so much eliminating offending elements, as any short peaks or loud or silent scenes are not the issue. Total overall dynamics is. So it is better to mix by your ears, then use this tool (or some of the pther more expensive ones) to measure it and bring it up to spec.

Apparently, Bouke's too will tell you where the parts of the mix are that cause the needto normalize, so you could go back and tweak those.

Bouke's tool otherwise seems to go by the same approach as Grimm Audio's LevelNorm (AudioSuite plugin, Avid compatible, R128 or A/85). This was specifically designed so that Avid editors would mix any way they want, then normalize the entire result to R128 or A/85. Even if you would mix to older norms (like European mixes used to be crushed flat at -9dBfs), or if you want your mix to have a specific compressed sound and very limited dynamic range, LevelNorm or LoudnessChange will indeed legalize it to either R128 or A/85.

Most mixers tell me they need to rely less on meters and more on actual creative mixing with these new standards. They need to set up their room to a certain dialogue level they like to go by, then mix as they feel is right creatively, rather than the other way around. Folks mixing for TV can finally actually mix again, rather than fighting their way into a brickwall limiter.

J

On Oct 21, 2012, at 20:08, "Terence Curren" <tcurren@aol.com> wrote:

> Bouke,
>
> You are just lowering the entire mix to pass specs right? The better approach would be to only lower the offending elements, but that can't be done with a finished file. So your program is more like a legalizer, yes?
>
> --- In Avid-L2@yahoogroups.com, "bouke" <bouke@...> wrote:
>>
>> Guys (and Shirley),
>>
>> If you need to deliver to the new sound specs, this might be of help:
>>
>> http://www.videotoolshed.com/product/68/loudnesschange
>>
>> In short, it can analyze a mixdown (as a wave file), see potential trouble
>> (short / momentary peaks) so you can fix them,
>> and render the file to a new file while upping / lowering the mix to get to
>> your desired LUFS.
>>
>> And it's blazing fast....
>>
>>
>> Bouke
>>
>> VideoToolShed
>> van Oldenbarneveltstraat 33
>> 6512 AS NIJMEGEN
>> The Netherlands
>> +31 24 3553311
>> www.videotoolshed.com
>>
>
>
>
>
> ------------------------------------
>
> Search the official Complete Avid-L archives at: http://archives.bengrosser.com/avid/
> Yahoo! Groups Links
>
>
>

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Re: [Avid-L2] CS 5.5 with Symphonie

 

I have that plus resolve and FCP all on the same nehalem 8-core. Obviously it has and expansion chassis. Clone your system drive first if you're worried. In fact, clone it to an SSD- and swap. Really improves boot and startup times. If you have nitris and bmd deck link in the same CPU, you have to delete the open I/o plug-in, otherwise no problems.

________________________
Greg Huson
Secret Headquarters, Inc
Greg (at) SecretHQ.com
www.SecretHQ.com
DigitalServicsStation.com

On Oct 21, 2012, at 10:42 AM, Marcel Brassard <correctype@yahoo.ca> wrote:

> Hey,
>
> I'm on a MacPro 12 core, 32 GB running 10.7.3.
>
> Before I go ahead and install the full CS 5.5 on the same drive I run Symphonie 6.0.3, I'd like to know if anyone here have had negative experiences with that combination?
>
> Thanks,
>
> Marcel
>
>

[Non-text portions of this message have been removed]

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Re: [Avid-L2] CS 5.5 with Symphonie

I've got that combination on a Mac and a PC with no ill effects.... that I can trace to the combination.

Steve Hullfish
contributor: www.provideocoalition.com
author: "The Art and Technique of Digital Color Correction"


On Oct 21, 2012, at 12:42 PM, Marcel Brassard <correctype@yahoo.ca> wrote:

> Hey,
>
> I'm on a MacPro 12 core, 32 GB running 10.7.3.
>
> Before I go ahead and install the full CS 5.5 on the same drive I run Symphonie 6.0.3, I'd like to know if anyone here have had negative experiences with that combination?
>
> Thanks,
>
> Marcel
>
>



[Non-text portions of this message have been removed]



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[Avid-L2] Re: EBU R 128 / Calm act, HIGHLY COMMERCIAL

 

Bouke,

You are just lowering the entire mix to pass specs right? The better approach would be to only lower the offending elements, but that can't be done with a finished file. So your program is more like a legalizer, yes?

--- In Avid-L2@yahoogroups.com, "bouke" <bouke@...> wrote:
>
> Guys (and Shirley),
>
> If you need to deliver to the new sound specs, this might be of help:
>
> http://www.videotoolshed.com/product/68/loudnesschange
>
> In short, it can analyze a mixdown (as a wave file), see potential trouble
> (short / momentary peaks) so you can fix them,
> and render the file to a new file while upping / lowering the mix to get to
> your desired LUFS.
>
> And it's blazing fast....
>
>
> Bouke
>
> VideoToolShed
> van Oldenbarneveltstraat 33
> 6512 AS NIJMEGEN
> The Netherlands
> +31 24 3553311
> www.videotoolshed.com
>

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[Avid-L2] Re: CS 5.5 with Symphonie

 

No trouble here.

--- In Avid-L2@yahoogroups.com, Marcel Brassard <correctype@...> wrote:
>
> Hey,
>
> I'm on a MacPro 12 core, 32 GB running 10.7.3.
>
> Before I go ahead and install the full CS 5.5 on the same drive I run Symphonie 6.0.3, I'd like to know if anyone here have had negative experiences with that combination?
>
> Thanks,
>
> Marcel
>

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[Avid-L2] CS 5.5 with Symphonie

 

Hey,

I'm on a MacPro 12 core, 32 GB running 10.7.3.

Before I go ahead and install the full CS 5.5 on the same drive I run Symphonie 6.0.3, I'd like to know if anyone here have had negative experiences with that combination?

Thanks,

Marcel

__._,_.___
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.

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[Avid-L2] EBU R 128 / Calm act, HIGHLY COMMERCIAL

 

Guys (and Shirley),

If you need to deliver to the new sound specs, this might be of help:

http://www.videotoolshed.com/product/68/loudnesschange

In short, it can analyze a mixdown (as a wave file), see potential trouble
(short / momentary peaks) so you can fix them,
and render the file to a new file while upping / lowering the mix to get to
your desired LUFS.

And it's blazing fast....

Bouke

VideoToolShed
van Oldenbarneveltstraat 33
6512 AS NIJMEGEN
The Netherlands
+31 24 3553311
www.videotoolshed.com

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