It's been a very long time (very very very long) since I ingested from a PCM-7030 or PCM-800. But if I recall correctly they tended to be more difficult than the video decks. For my digital video decks (DigiBeta, HDcam, SR, DVcam) we would usually just run them on sync on input and everything was fine. Actually no need for a external house sync gen. But audio was very different. If I remember right we needed to use a house sync gen to feed both they sync on the PCM units and on the Avid to get them to record and output acutely, or we would get 'pops'. And the menu settings on the PCM units were tricky too. I don't remember what they were, but you should get a copy of the manual and look through them all.
By the way, what is your name? It doesn't appear in your email.
Jay
On May 17, 2019, at 11:40 AM, film35hd@yahoo.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:Mark,Thanks so much for your time.The Word Clock is the first thing I connected when doing this, but your Video IN on a Nitris DX was a good clue.Q: I believe the Nitris does not intake 1080p and only 1080i, yet the project is 1080p/29.97 fps. The DAT tape was recorded in the field at 29.97 fps in DFTC.Does anyone think that will make a difference with an audio-only ingest? Or should I create a 1080i/29.97fps project and feed 1080i/29.97fps House Black into the Video IN of the Nitris DX; and Nitris' Word Clock to the Sony PCM-7050 DAT?With Appreciation,-keoni tyler
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Posted by: Jay Mahavier <jay_mahavier@icloud.com>
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this is the Avid-L2
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