Your best bet is still to link the RED material (easy), then transcode to an offline resolution (DNxHD 36 or so), making sure you don't check the boxes in transcode settings to bake in size changes. This will keep the metadata as if you're still working with 4K size stuff, so your resizing or Frameflexing will stay useful when you relink the original footage for online.
On Tue, Nov 14, 2017 at 5:14 PM, Lou Wirth loutv@mindspring.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
Hi
I just spoke with a producer who is budgeting for a doc shot in 4K with Red camera. I have the latest MC Symphony version and I know I can do projects in 4K. But wondering what Red "gotchas" I need to be aware of. Can the Red material go to drive and import or AMA into my avid or do we still need to convert the Red material to something else via their software? Or do I need additional hardware to make the material Avid friendly?ThanksLou
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Posted by: Mark Spano <cutandcover@gmail.com>
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