I've been doing a video mixdown to ProRes HQ then exporting either SAS or as the ProRes flavor of choice. I tend to avoid the much-dreaded gamma-shift that way — although for me it's never been 100% fool-proof.
Be aware, however, that it seems that often to get the SAS to function correctly you sometimes need to duplicate the sequence, lay in the mixdown, and delete all the underlying video clips (if you haven't already). Sometimes MC gets a bit finicky about its same-as-source'ness. And this is even if you only have the mixdown track selected AND if it's sitting on top of everything else.
Not sure if this answers your question…
D
On Aug 3, 2017, at 11:54 AM, tcurren@aol.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:How are folks creating ProRs QTs with embedded CC out of Media Composer?
We used to go to tape and then capture the file in FCP7. Clients don't want the tape anymore, and newer capture cards don't work with FCP7.
Terence CurrenBurbank, Ca
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Posted by: David Dodson <davaldod@gmail.com>
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