This has never been my experience with AME. It has always generated 3:2 pulldown. I've never touched Frame Sampling and don't know where that is. That sounds more like an After Effects setting but I don't spend a lot of time in Adobe world.
As long as there are the correct number of frames in the Bars/Tone and Slate I can at least get the 1;00;00;00 program start to be on the 3 field frame (would the proper terminology be to call that a B Frame?) so the program doesn't start on a split frame or on field 2 with field one being black.
What is the intent of the Frame Sampling setting and where would I find it? I've mostly been running AME in CC 2014 or CC2015 could this be a new addition in later Adobe suites. I can't wrap my head around why a control called Frame Sampling would alter pull down addition but after a day of updating every driver from video desktop to EuControl to get my new OS and artist panel playing nice with expansion chassis and Sierra and Resolve and Avid I might be missing something obvious.
As for the initial question it will work but I'm finding more and more networks want 2:2:2:4 so they never have split frames to deal with. It helps in the streaming side even if it is less desirable for the 59.94I home viewer. I think setting AME to ouput 29.97P instead of 59.94I will generate some form of 2:2:2:4 type cadence if that is needed.
---In Avid-L2@yahoogroups.com, <cutandcover@...> wrote :
On Wed, Aug 30, 2017 at 11:38 AM, Greg Huson Greg@... [Avid-L2] <Avid-L2@yahoogroups.com> wrote:Trying to help out a client/friend-does adobe media encoder add proper pull down, when converting from 23.98 to 59.94? Or does it repeat frames? I always use media composer for this process but he does not have that available to him.
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Greg Huson
Secret Headquarters, Inc
Greg (at) SecretHQ.com
www.SecretHQ.com
DigitalServiceStation.com
Posted by: bigfish@pacbell.net
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