I've never noticed it in AME or had need to use it. I've seen cadence detection choices in After effects much like are in Avid's motion adapters when they are promoted and even though auto detect isn't reliable I've been able to with trial and error remove pulldown in Avid if the cadence is consistent.
The frame sampling you describe sounds like choosing blended interpolate or fluid motion in an Avid timewarp. I don't think of pulldown as time interpolation like a motion effect. If I was slowing down Pal to 23.976 and wanted to keep the running time then I'd see the term time interpolation as more accurate. Not trying to argue semantics I will have to play around with that control when I'm back at my regular gig.
At home I'm still CS 6 so I suppose I could play around with it but I've grown more comfortable with the options and layouts of CC 2014 and CC 2015. Perhaps on this feature they are similar I'll have to check it out.
---In Avid-L2@yahoogroups.com, <cutandcover@...> wrote :
On Thu, Aug 31, 2017 at 1:31 AM, bigfish@... [Avid-L2] <Avid-L2@yahoogroups.com> wrote:This has never been my experience with AME. It has always generated 3:2 pulldown. I've never touched Frame Sampling and don't know where that is. That sounds more like an After Effects setting but I don't spend a lot of time in Adobe world.
As long as there are the correct number of frames in the Bars/Tone and Slate I can at least get the 1;00;00;00 program start to be on the 3 field frame (would the proper terminology be to call that a B Frame?) so the program doesn't start on a split frame or on field 2 with field one being black.
What is the intent of the Frame Sampling setting and where would I find it? I've mostly been running AME in CC 2014 or CC2015 could this be a new addition in later Adobe suites. I can't wrap my head around why a control called Frame Sampling would alter pull down addition but after a day of updating every driver from video desktop to EuControl to get my new OS and artist panel playing nice with expansion chassis and Sierra and Resolve and Avid I might be missing something obvious.
As for the initial question it will work but I'm finding more and more networks want 2:2:2:4 so they never have split frames to deal with. It helps in the streaming side even if it is less desirable for the 59.94I home viewer. I think setting AME to ouput 29.97P instead of 59.94I will generate some form of 2:2:2:4 type cadence if that is needed.
---In Avid-L2@yahoogroups.com, <cutandcover@...> wrote :Media Encoder will do proper 2:3 pulldown as long as you have Frame Sampling set as the option for Time Interpolation (this is the default)On Wed, Aug 30, 2017 at 11:38 AM, Greg Huson Greg@... [Avid-L2] <Avid-L2@yahoogroups.com> wrote:Trying to help out a client/friend-does adobe media encoder add proper pull down, when converting from 23.98 to 59.94? Or does it repeat frames? I always use media composer for this process but he does not have that available to him.
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Greg Huson
Secret Headquarters, Inc
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www.SecretHQ.com
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Posted by: bigfish@pacbell.net
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