Got a shooter friend with a Fs7, and we toyed around.
Using various LUT's, experimented with a color card and Resolve automated correction based on that card.
We never had an image as good as properly white balanced / decent exposed material.
We have had this before, and I still stand by it:
The Emperor's New Cloths.
Just for fun, let your shooters do the same. Same shot, one normal, one LogC, see if you can get it to match, and tell me where LogC is indeed better.
(Hint, it's NOT in the colors…)
On 26 Jun 2017, at 23:52, RRF Avid rrfavid@hotsprocketfilms.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:Do I use the Source LUT as a starting point and then apply CC?Or just bring it in with no LUT, and use CC to make everything right?Depends. Generally we use LUTs to translate the color for creative editorial, review copies of dailies, etc. For grading, we strip our the LUTs and grade from scratch.- RichOn Jun 26, 2017, at 2:45 PM, Curtis Nichols curtisn@pcsproductions.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:Does Symphony CC provide access to the full range that Slog3 is intended to provide?Or just bring it in with no LUT, and use CC to make everything right?Do I use the Source LUT as a starting point and then apply CC?Since the productions boys got a Sony FS7, I've been trying to figure out the best way to use the files in MC/Symphony. They are very excited to give me XAVC-Slog3.If you have links for me to go read, please post them, but my main questions are about getting the video to look "right". I'm told that they can't do white balance anymore because that's disabled in the mode they shoot in. So when I have Source Settings using the default Sony LUT, so I'm having to make a white balance adjustment to everything anyway.
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Posted by: Bouke <bouke@editb.nl>
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this is the Avid-L2
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