I'm starting a movie that will shoot in a distant land. I'll stay in LA and cut it here as they send dailies. They're shooting Alexa ArriRAW 2K. The remote AE tells me he'd like to use PluralEyes and PremierePro to do the transcode and sync.
I've never received anything via this workflow. What happens? Can this PluralEyes/Premiere path result in files transcoded to DNxHD115 MXFs? Can it carry multiple tracks of 24bit sound? Is this workflow likely to result in a bunch of files that are then imported into MC using an EDL that contains all the relevant metadata?
Anyone out there in the braintrust do it this way? Any insight would be mightily appreciated.
Many thanks.
DD
David Dodson
davaldod@gmail.com
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Posted by: David Dodson <davaldod@gmail.com>
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