I'm also curious what scopes were used to be able to see 0.5mV on the Y/RGB scale
BG
www.finale.tv
From: "bigfish@pacbell.net [Avid-L2]" <Avid-L2@yahoogroups.com>
To: Avid-L2@yahoogroups.com
Sent: Friday, October 21, 2016 1:08 PM
Subject: [Avid-L2] Re: Solarization in QC
When you say peak whites were about .5mV do you mean the peak value is 700.5mV on the scope? I'm not saying that's the problem with the solarization but wanted to clarify your spec for Peak White and how it is defined.
---In Avid-L2@yahoogroups.com, <scottesmith1@...> wrote :
I'd like to hear some nerd explanations myself. The program was shot on an Alexa in ProRes 4444, graded in Resolve, output ProRes 422HQ. It was played out from Smoke to HDcamSR. At no point was it reduced to 8 bit. The peak whites were about .5mV, far below clipping point. Could the QC house view the material in a way that exaggerates any quantising flaws?
Thanks, Scott
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Posted by: Bogdan Grigorescu <bogdan_grigorescu@yahoo.com>
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this is the Avid-L2
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