I'd like to hear some nerd explanations myself. The program was shot on an Alexa in ProRes 4444, graded in Resolve, output ProRes 422HQ. It was played out from Smoke to HDcamSR. At no point was it reduced to 8 bit. The peak whites were about .5mV, far below clipping point. Could the QC house view the material in a way that exaggerates any quantising flaws?
Thanks, Scott
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Posted by: Scott Smith <scottesmith1@gmail.com>
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this is the Avid-L2
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