Sorry for the delay John - I can confirm the following combo is frame accurate on output to tape, with no black frames added at the out point, and perfectly in-sync video and audio
MacPro 5,1 2x4C 2.4GHz, 12GB DDR3, NVidia GeForce GTX680 4G(web drivers)
Avid Artist DNxIO
Keyspan USA-19HS serial adapter with v4 tripp lite drivers
tested with bith SONY SRW-5500, SONY SRW-5800 decks
tri-level 23.98 reference fed to NLE and deck, both set for external ref
Mac OSX 10.10.5 Yosemite
Desktop video drivers 10.7 from Avid website
MediaComposer 8.6.1, dongle activated
23.98 project with AMA linked source file, ProRes HQ with 12 audio tracks
source file serv3d from StorNext5 SAN over 2x8GB multipath FC connection
BG
www.finale.tv
From: "bigfish@pacbell.net [Avid-L2]" <Avid-L2@yahoogroups.com>
To: Avid-L2@yahoogroups.com
Sent: Tuesday, September 6, 2016 9:50 PM
Subject: Re: [Avid-L2] going both ways
I had been running an older Black Magic SDSDI card with success for both Avid and Resolve. I still used my NitrisDX for tape outputs as I could never get rid of the 1 frame offset and a black frame at the head of every digital cut I attempted with the BM card. I'm told that issue has been rectified but am still waiting to see if Mr. Bogdan's editor's can confirm that the DNxIO can do a frame accurate video insert edit to tape with no frame of black and one frame offset from the timeline. I will probably keep my NitrisDX handy for universal mastering anyways but soon plan to install my DNxIO for all the 4K work I might get.
---In Avid-L2@yahoogroups.com, <shanerosseditor@...> wrote :
Capture and play out? Need compatibility with Resolve? If so, gotta go Decklink Intensity pro. If not, AJA Kona 3 is a great option. Actually, I don't think the Kona line is compatible with Abbet. Only the thunderbolt boxes. Might have to stick with black magic
Shane
Shane
Sent from my pocket calculator.
On Sep 6, 2016, at 11:04 AM, Lou Wirth loutv@... [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
Hi
I recently found out that a few clients have gone to premiere as their in-house systems and one of the reasons they have not called recently is they want to stay with compatible projects. I get it. I do have Premiere but I never use it because my system is set up with a Mojo DX and so I can't monitor anything with any other apps. I would ideally like to be able to feed the Flanders, the Sony M4U and my Samsung LCD and mixer when I open Premiere and Ideally AE but can live with AE just on the Mac displays. I use a 2009 Mac Pro tower and as I said, a MOJO DX.
I was wondering if any of you folks are set up with both Avid and Adobe Premiere and can switch back and forth using the same hardware? If so, you can email me offlist and I would love to hear what hardware you are using or how you are set up. Please be mac friendly.
thanks
Lou
Lou Wirth Productions
500Tamal Plaza, Suite 522
Corte Madera, CA 94925
www.louwirth.com
415-924-9411p
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Posted by: Bogdan Grigorescu <bogdan_grigorescu@yahoo.com>
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