Every single TV show and feature I've worked on in the past however many
years has had at least one 444 HDSR deliverable. In the case of a 3D
feature I did a few years back, between splitting out eyes, different
aspect ratios and color spaces and international, there were something like
14 individual tape delivery requirements. Credit/logo/QC changes had to be
punched into 14 different tapes.
These tape deliverables are in addition to the standard file deliverables
for 4K, HDR, etc...
-G
On Thu, Aug 25, 2016 at 7:50 AM, Benjamin Hershleder Ben@ContactBen.com
[Avid-L2] <Avid-L2@yahoogroups.com> wrote:
>
>
>
>
> Hi gang,
>
> I'm curious to know how much you're mastering to tape as part of the
> deliverables. Is anyone _only_ delivering file-based – no tape output ever,
> even for archival/back-up purposes?
>
> Thanks for your help and insights,
>
> Benjamin
> -----
> * Benjamin Hershleder*
> ContactBen.com
> . <http://hershleder.com/avid-media-composer-book-by-benjamin-hershleder>
> <http://hershleder.com/avid-media-composer-book-by-benjamin-hershleder>
>
>
>
[Non-text portions of this message have been removed]
Posted by: Gus <gustheeditor@gmail.com>
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