Well that explains a lot. Recently I was dealing with fuzzy titles from a previous project created in Marquee. I noticed that these same titles were crisp when manually re-created in NewBlue Titler Pro. However, when I tried to use the "Promote Titles" to Titler Pro command for the whole sequence, I found that the titles failed to promote. I opened a support ticket with NewBlue to discover that Marquee is not supported to Promote Titles, only Title Tool. However, with this tip I can quickly get the crisp titles across the timeline by turning off the filter.
This also solves a conundrum I was having with AvidFX, where the graphics were crisp, but the same graphics were soft when transitioning back to the timeline.Thanks for the tip!
On Wed, May 11, 2016 at 9:23 PM, John Pale pale.edit@gmail.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
It's worse than that, as it also softens imported still
Graphics, even if the software they were created in already made them SD compliant....making them doubly soft. Unless you know about the console command, you just end up with bad fuzzy graphics
On Wednesday, May 11, 2016, Jo Hermann lists@filter-media.net [Avid-L2] <Avid-L2@yahoogroups.com> wrote:Came across this today - always thought Avid's title tool is "not soooo good" before I got aware; this toggle explaines it.
WTF: it's 2016, why the heck I would need anyone to comply to SD?
@Marianna: let them coders know: eitther a documented setting or default to "true" - since this is unacceptable!
Sincerely
Jo
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Posted by: OklaRoman <oklaroman@gmail.com>
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this is the Avid-L2
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