Yes, I do much the same thing with bulk clip renaming before ingest, adding a prefix with unique card ID to formats with filenames that are less robust. (Very diplomatic designation!) Of course some formats don't allow for changing the clipname without breaking the card structure.
Curious how the tape ID column winds up being used in your workflow? Do you find a use for it inside Avid, or is it more for interchange with other apps?
Cheers,
--Michael
The standard Post workflow is to seperate robust AMA sources tgat have UMIDs from non robust sources tgat reky on clip name and timecode only (some not even timecode)
Those sources are then bulk renamed to ensure each AMA linked clip has a unique clip name.
The clips folder name is the added to the tape id column (mot rape name)
This helps ensure reliable conforming.
Its all in the prep.
Pat from his mobile.
Posted by: Michael Brockington <mbrock321@gmail.com>
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