Thanks for this.
Not surprised -- as I could not exactly see how Media Composer or its plugin architecture could support single or dual layer Dolby Vision metadata.
The requirement of a full-tilt Baselight system with a Dolby CMU suggests that this specification might very well be limited to big releases -- even if/when Resolve is able to support it.
This leads me to wonder if the vast majority of smaller productions will dip their feet into the HDR market by adopting the HDR10 specification. However, I still don't understand how exactly one exports an HDR10 graded master from Media Composer.
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Posted by: blafarm@yahoo.com
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this is the Avid-L2
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