If it is native (not Open I/O) and drivers are written by Avid, I just don't see us migrating to AJA or Blackmagic. Even the best AJA drivers are not as stable and well integrated as Avid's Nitris DX with Media Composer.
Dom Q. Silverio
On Sat, May 16, 2015 at 10:27 AM, tcurren@aol.com [Avid-L2] <Avid-L2@yahoogroups.com> wrote:
John is correct, I was referring to Symphony Universal, or frame rate conversion. We use this constantly and it is only available with the Nitrsi DX / Symphony combo. It will be missed. The rest of the conversions the box does are available on the 1K cheaper Blackmagic version of the box.So, I am still not excited by this. Might as well go with AJA's 4K card and have the added reliability.
---In Avid-L2@yahoogroups.com, <bigfish@...> wrote :I haven't gone through all the specs but perhaps it's the lack of Universal Mastering and not standards conversions that is missing. Of late I've had a need for the universal mastering and as more of my series work switches to 23.976 offline and online with a 59.94 tape delivery I see more of it in my future. So with this box is universal mastering gone like it has been with the other 3rd party I/O. Is that feature impossible without the NitrisDX.
The mention of audio punch in seems to be something that use to be impossible with some or all 3rd party I/O solutions. I'm virtually always on Avid hardware so I don't know it the audio punch in feature was ever enabled on 3rd party hardware. Anybody know what that status is?
---In Avid-L2@yahoogroups.com, <DennyD1@...> wrote :On May 15, 2015, at 7:08 PM, tcurren@... wrote:> So let's see, for a thousand dollars more you get and extra power cord (no mention of redundant power supply, just an extra cord)I say:The hardware unit has two built-in power supplies. There would be no point in providing two power cords unless they connect to two separate built-in PS's:
Power supply
Two built-in international AC power supplies with IEC C14 inlet (120–240V, 50–60 Hz)
Mr. Curren:> And you can save $500 by trading in your Nitris DX which had realtime standards conversion (goodbye to that feature), Ancillary data support (probably gone also), and the processing that Nitris DX took off the CPU / GPU hands.I point out:Artist has realtime hardware up/down/cross conversion:
Down conversion
Built-in, high-quality hardware down conversion—Ultra HD to 1080 HD, or HD to SD on SDI B and SD on Component and NTSC/PAL; switch analog video to Component and choose HD or SD output; selectable between letterbox, anamorphic 16:9, and center cut 4:3 styles
Up conversion
Built-in, high-quality hardware up conversion—SD to 720 HD or 1080 HD on playback; selectable between 4:3 pillarbox, 14:9 pillarbox, and 16:9 zoom; HD outputs via HD-SDI, HDMI, and component analog
Cross conversion
Built-in, high-quality hardware cross conversion—720p to 1080i and 1080i to 720p on playback
Other hardware conversion
Colorspace conversion
Since Artist provides 2K, 4K, and UHD resolutions, it wins over Nitris DX which cannot handle these resolutions at all. Artist's biggest limitation at the moment seems to be its lack of analog audio inputs and outputs as there is no way to monitor more than 4 analog channels of audio without additional external hardware (HDMI & SDI can accommodate up to 16 channels of imbedded audio in and out).Dennis Degan, Video Editor-Consultant-Knowledge Bank
NBC Today Show, New York
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Posted by: "Dom Q. Silverio" <domqsilverio@gmail.com>
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