This IS the Avid L2: Re: [Avid-L2] WANTED: Online Editor/Colorist to work on award winning programming

Tuesday, February 10, 2015

Re: [Avid-L2] WANTED: Online Editor/Colorist to work on award winning programming

Out of curiosity they mention Resolve. Do all the shows go through Resolve or is it used when deemed necessary?

---In avid-l2@yahoogroups.com, <mcltim.156@...> wrote :

Important missing info from this ad -

Colorist / Editor must LOVE snow since you'll be in Boston! ^_^

Tim McLaughlin
Final Cut, Avid and Premiere Pro Editor
http://vimeo.com/mcltim

On Mon, Feb 9, 2015 at 4:59 PM, mikeammo@... [Avid-L2] <Avid-L2@yahoogroups.com> wrote:

Are you interested in working on high-end, meaningful content? The OutPost at WGBH is looking for a colorist/online editor to work on some of the most acclaimed programs. The OutPost, WGBH's in-house video and audio post-production facility, serves a diverse client-base including American Experience, Frontline, Nova, Masterpiece, Antiques Roadshow and a wide range of independent producers. Week in and week out OutPost artists and technicians deliver the highest quality of programming to PBS and other major distribution networks.

The Online Editor/Colorist Editor is responsible for the finishing, packaging and delivery of documentaries, promotional materials, digital video content and an array of other video materials. The Online Editor/Colorist works with a variety of documentary producers, production managers, and post-production supervisors to ingest, grade, technically correct and polish program materials for final delivery. The Online Editor/Colorist may also design and execute packaging elements as needed.

Minimum of five years of experience as an on-line editor and colorist on national programing.

The Online Editor/Colorist should have ADVANCED color-correction and editing experience in DaVinci Resolve with good depth in Avid Symphony. Experience in other non-linear editing platforms such as Final Cut Pro and Adobe Premier also preferred but not required. Knowledge of Adobe After Effects and Photoshop is a necessary. Familiarity with broadcast color-correction standards, technical principles, and delivery specifications is vital. Ability to work both independently and effectively in a team is expected. Strong customer service skills are essential. A track record of performance under broadcast deadlines will also be taken into consideration.